"Some gods may cross your path, but why should gods be beautiful? They could also be frightening"
About this Quote
Moreau takes the glamorous machinery that crowned her a screen icon and quietly sabotages it from the inside. The line starts with a flirtation: “Some gods may cross your path” carries the shimmer of chance encounters, fame, romance, those movie moments where destiny has perfect lighting. Then she yanks the camera to a harsher angle. Why should gods be beautiful? Because we’re trained to want them that way. Beauty is the culturally approved costume for power: it makes authority feel like attraction, makes surrender feel like taste.
By insisting that gods “could also be frightening,” she punctures the comforting idea that what we worship will flatter us. The subtext is about control. We project elegance onto the forces that shape us - celebrity, lovers, art, fate - because it’s easier to negotiate with something that looks like a poster. A frightening god doesn’t ask for admiration; it demands recognition. It suggests desire that isn’t safe, charisma that doesn’t promise kindness, brilliance that might burn.
Coming from an actress with Moreau’s mythic aura, the remark also reads as a critique of the star system’s theology. Cinema makes idols out of faces, especially women’s faces, and then pretends that the face is the whole divinity. Moreau gestures toward another register of presence: not prettiness, but force. Her “god” is the person or moment that rearranges your life, and the price of that rearrangement is that it won’t necessarily be photogenic.
By insisting that gods “could also be frightening,” she punctures the comforting idea that what we worship will flatter us. The subtext is about control. We project elegance onto the forces that shape us - celebrity, lovers, art, fate - because it’s easier to negotiate with something that looks like a poster. A frightening god doesn’t ask for admiration; it demands recognition. It suggests desire that isn’t safe, charisma that doesn’t promise kindness, brilliance that might burn.
Coming from an actress with Moreau’s mythic aura, the remark also reads as a critique of the star system’s theology. Cinema makes idols out of faces, especially women’s faces, and then pretends that the face is the whole divinity. Moreau gestures toward another register of presence: not prettiness, but force. Her “god” is the person or moment that rearranges your life, and the price of that rearrangement is that it won’t necessarily be photogenic.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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