"Teddy Wilson, I think, said a little while ago that it's much easier to come in and play whatever comes into your mind, without obeying any of the laws of bass line and harmony and so on"

In this quote, jazz pianist George Shearing references a declaration by fellow jazz artist Teddy Wilson. The essence of Shearing's reflection depends on contrasting two techniques to playing music: the structured adherence to musical rules, such as harmony and bass lines, and a freer, more spontaneous design of expression.

Teddy Wilson's assertion, as translated by Shearing, suggests that playing music by instinct or individual expression, without rigorous adherence to the formal laws of music theory, might be simpler or more liberating for some artists. This might appear counterintuitive, as traditional musical training often emphasizes the significance of understanding and complying with the foundational elements of music, such as harmony, melody, and rhythm. Yet, jazz as a category is renowned for its focus on improvisation and individual expression, frequently flexing or redefining conventional musical structures.

Shearing's mention highlights a wider discussion in the jazz world about the balance between technical proficiency and imaginative flexibility. For numerous jazz artists, the ability to innovate and adjust, to interpret a piece on the fly based upon individual feeling or audience interaction, is similarly, if not more, valued than technical precision. It also highlights the idea that while technical understanding provides a foundation, true artistry often transcends these limits, permitting musicians to reveal uniqueness and feeling in their efficiencies.

Moreover, this technique speaks with the equalizing nature of jazz-- where emotional credibility and spontaneity are celebrated. For Shearing, referencing Wilson reinforces the concept that music, specifically jazz, is not simply a scholastic exercise however a living, breathing art kind that grows on the subtleties and personal expressions of those who perform it.

In summary, George Shearing uses Teddy Wilson's insight to communicate an appreciation for the improvisational and liberating elements of jazz, which enable musicians to interact straight and totally with their audience beyond the confines of traditional musical rules.