"That dichotomy between the public consumption of the work and my intent and practice in making it is an uneasy one for me, on occasion"

In the quote by Jock Sturges, "That dichotomy between the general public consumption of the work and my intent and practice in making it is an uneasy one for me, on event", the photographer reviews a common tension dealt with by artists whose works undergo public interpretation. Sturges resolves the gap or "dichotomy" in between how art is perceived by the public and the creator's original intent and procedure in crafting that art.

To unpack this, we need to think about two primary elements: the artist's intent and the public's intake. The artist's intent refers to the inspirations, feelings, and messages the artist looks for to communicate through their work. This involves the personal journeys, philosophies, and thematic expeditions that assist the imaginative procedure. For Sturges, understood for his controversial work in photography that frequently challenges social norms, his intent is most likely nuanced, involving themes of innocence, beauty, and humankind.

On the other side of the dichotomy is the public's intake of the work, which involves the multitude of interpretations and psychological reactions that an audience can have. Each viewer brings their personal context, experiences, and biases to the art, which can result in diverse understandings that may not line up with the artist's original intent. This can be particularly poignant in Sturges's work, which has gone through both honor and debate.

The phrase "an uneasy one for me, on occasion" suggests that Sturges sometimes has problem with the variation in between his intentions and how his work is gotten. This stress can be disconcerting for an artist who wants to interact particular ideas or emotions through their work. It raises questions about artistic control, the role of the audience in analyzing art, and the possible disconnects that can occur in between production and perception. Eventually, Sturges acknowledges this complexity, highlighting that the relationship in between an artist's vision and public interpretation is not always straightforward or comfy.