"That's another thing about today's stars that makes me glad that I'm not doing it any more. The stars come with ten people all around them. I don't know how you ever make any personal contact with them"
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Julie Harris, a distinguished starlet with a career covering several years, offers an individual insight into the altering nature of celeb culture with her quote, "That's another aspect of today's stars that makes me delighted that I'm not doing it anymore. The stars feature ten individuals all around them. I do not understand how you ever make any individual contact with them". This reflection draws a plain contrast between her era of acting and the present landscape of stardom.
Harris seems to be talking about the phenomenon where contemporary celebs often have a large entourage that includes managers, representatives, press agents, and other support staff. This entourage serves different purposes: handling the star's schedule, handling public relations, attending to individual needs, and even enhancing their image. However, Harris's remark mean a downside to this entourage culture, especially worrying the loss of individual connection.
In her time, the market might have preferred more direct and individual interactions. Stars, directors, and team members most likely engaged with each other more thoroughly, fostering real relationships and collaborations. Harris recommends that the existence of a large entourage around today's celebrities develops a barrier, making it challenging to develop genuine, individually connections. These layers of intermediaries can insulate stars from organic interactions, possibly making them more far-off and unapproachable to peers and fans alike.
Moreover, Harris's statement may also reflect a yearning for simpleness and authenticity over the more commercialized and image-conscious nature of current celeb culture. Her use of the expression, "makes me delighted that I'm refraining from doing it anymore", suggests a sense of relief or contentment in having actually been part of a different age, one that valued individual engagement over the managed and guarded encounters typically dictated by modern-day celebrity systems.
In essence, Julie Harris's perspective welcomes us to assess how popularity's facilities has developed, possibly at the expense of the intimacy and authentic sociability that she valued and discovered satisfying during her profession.
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