"The Bermuda Triangle got tired of warm weather. It moved to Alaska. Now Santa Claus is missing"
About this Quote
Steven Wright’s joke works by taking two cultural myths that live in totally different mental folders and forcing them into the same cramped geography. The Bermuda Triangle is the lazy shorthand for unexplained disappearance, a paranormal glitch in an otherwise orderly map. Alaska is the opposite vibe: cold, remote, bluntly real. By saying the Triangle “got tired of warm weather” and “moved,” Wright gives an abstract superstition the pettiest possible motivation, like a retiree chasing better seasons. That tiny anthropomorphism is the hinge: the supernatural is reduced to consumer preference.
Then he spikes it with Santa Claus. Santa is already a sanctioned fantasy, but one we treat with kid-gloved sincerity. Making him “missing” isn’t just a punchline; it’s a comedic violation of a protected story. The humor comes from the deadpan escalation: first, a conspiracy-flavored legend migrates; then it collides with the most commercially defended myth in American life. You can almost hear the bureaucratic panic of Christmas logistics implied in that last sentence.
The subtext is Wright’s specialty: a world where explanations are arbitrary, causality is whimsical, and big narratives are held together with tissue paper. It’s also a sly comment on how myths behave in pop culture. They’re mobile, remixable, and available for crossovers. Move one legend to a new setting and you instantly manufacture fresh stakes. Even the North Pole isn’t safe from a good premise.
Then he spikes it with Santa Claus. Santa is already a sanctioned fantasy, but one we treat with kid-gloved sincerity. Making him “missing” isn’t just a punchline; it’s a comedic violation of a protected story. The humor comes from the deadpan escalation: first, a conspiracy-flavored legend migrates; then it collides with the most commercially defended myth in American life. You can almost hear the bureaucratic panic of Christmas logistics implied in that last sentence.
The subtext is Wright’s specialty: a world where explanations are arbitrary, causality is whimsical, and big narratives are held together with tissue paper. It’s also a sly comment on how myths behave in pop culture. They’re mobile, remixable, and available for crossovers. Move one legend to a new setting and you instantly manufacture fresh stakes. Even the North Pole isn’t safe from a good premise.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
More Quotes by Steven
Add to List







