"The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases"
About this Quote
Ito’s line reads like a judge trying to smuggle a media critique into the calm, procedural language of the bench. On its face, it’s a practical complaint about access: no camera, no direct view, no “raw” record for the public. Underneath, it’s a warning about narrative power in high-stakes justice, where the trial doesn’t just happen in a courtroom - it happens in the retelling.
The key move is how he shifts the burden from institutions to intermediaries. The problem isn’t only secrecy or decorum; it’s the enforced reliance on a single translator: “a reporter.” That singular framing matters. It suggests a bottleneck where complexity gets compressed into digestible storylines, and where the public’s understanding of guilt, credibility, even fairness can be quietly shaped by what gets emphasized, omitted, or simplified.
“Filtering effect” is courtroom-clean phrasing for something more volatile: trials are not just facts but performances of authority, and coverage can turn testimony into plot, attorneys into archetypes, jurors into props. Ito isn’t pretending cameras are neutral; he’s pointing out that without them, the public’s “view” is outsourced to a human lens that comes with incentives (deadlines, drama, clarity) and assumptions (about race, class, police, victims, defendants).
Context sharpens the edge. Ito, as a judge associated with the O.J. Simpson era’s media storm, is acknowledging that legitimacy now competes with perception. When you can’t see justice, you don’t just doubt outcomes; you start auditing the storyteller.
The key move is how he shifts the burden from institutions to intermediaries. The problem isn’t only secrecy or decorum; it’s the enforced reliance on a single translator: “a reporter.” That singular framing matters. It suggests a bottleneck where complexity gets compressed into digestible storylines, and where the public’s understanding of guilt, credibility, even fairness can be quietly shaped by what gets emphasized, omitted, or simplified.
“Filtering effect” is courtroom-clean phrasing for something more volatile: trials are not just facts but performances of authority, and coverage can turn testimony into plot, attorneys into archetypes, jurors into props. Ito isn’t pretending cameras are neutral; he’s pointing out that without them, the public’s “view” is outsourced to a human lens that comes with incentives (deadlines, drama, clarity) and assumptions (about race, class, police, victims, defendants).
Context sharpens the edge. Ito, as a judge associated with the O.J. Simpson era’s media storm, is acknowledging that legitimacy now competes with perception. When you can’t see justice, you don’t just doubt outcomes; you start auditing the storyteller.
Quote Details
| Topic | Justice |
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