"The thing with me. I can't stick musicians. I've thought about this. I can't stand them, and being stuck in a studio with them I think that's my strength I can hear what they can't"

Mark E. Smith, the renowned frontman of the post-punk band The Fall, was understood for his abrasive character and unconventional approach to music. This quote encapsulates his frequently contrarian and individualistic frame of mind, highlighting three crucial aspects of his character and his function in the music market.

First of all, the statement "The thing with me. I can't stick artists" suggests an ingrained hostility to working carefully with standard artists. This might originate from a belief that conventional musical training or a too-collaborative approach might suppress imagination. Smith often regarded himself as an outsider, someone who didn't comply with the established standards of the music market. By distancing himself from traditional musicianship, he preserved a distinct noise and approach that kept The Fall unique from their contemporaries.

Second of all, Smith's reflection, "I can't stand them, and being stuck in a studio with them", talks to his often-contentious relationship with band members and collaborators. Known for frequent lineup modifications within The Fall, Smith appeared to enjoy the turmoil and innovative stress that new members gave the fold. This revolving door of artists inadvertently became part of the band's identity, with Smith as the continuous anchor and visionary.

Lastly, Smith claims, "that's my strength I can hear what they can't", highlighting his role as both a provocateur and a visionary. He implies a certain superiority in his capability to view musical possibilities that eluded others. This understanding allowed him to mold the band's sound distinctively, frequently focusing on raw, minimalist visual appeals that broke away from mainstream patterns.

In summary, this quote shows Smith's self-assuredness in his visionary capabilities, his pain with standard partnership, and his welcome of creative stress as a tool for innovation. Through these dynamics, Smith cultivated a legacy of music that remains influential and revered for its originality and defiance.