"The Times' new credibility committee report that was issued on Monday very specifically said they will be putting in a policy that reporters must get permission from their department heads to appear on television, which I think is a really good thing"
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A “credibility committee” at a major newspaper is already an exquisitely revealing phrase: it treats trust like a compliance problem, something you can audit, document, and then declare solved. Okrent, as the Times’ first public editor, isn’t merely cheering a bureaucratic tweak; he’s endorsing a boundary that the institution thinks it lost when reporters became television personalities. The line lands with a kind of managerial plainness that’s almost its own satire: credibility, the paper implies, can be protected by routing human beings through department heads.
The specific intent is defensive and reputational. After years in which cable news rewarded heat, speed, and hot takes, newspapers watched their staff get drafted into a different medium’s incentives. A reporter on TV isn’t just relaying a scoop; they’re performing, compressing complexity into attitude, and being framed (literally) as an avatar for the paper. The subtext is that the Times fears the “brand leak” that happens when institutional authority is laundered through punditry. Requiring permission signals: our reporters are not free agents; their credibility is communal property.
Okrent calling it “a really good thing” also betrays an older newsroom ideal: independence from the spectacle. Yet there’s an irony in trying to preserve trust by tightening control. The policy doesn’t only restrain outside appearances; it recentralizes power inside the newsroom hierarchy, making “credibility” less about transparent accountability and more about disciplined messaging. In the age of omnipresent platforms, that’s a wager that credibility is best maintained by limiting exposure rather than expanding candor.
The specific intent is defensive and reputational. After years in which cable news rewarded heat, speed, and hot takes, newspapers watched their staff get drafted into a different medium’s incentives. A reporter on TV isn’t just relaying a scoop; they’re performing, compressing complexity into attitude, and being framed (literally) as an avatar for the paper. The subtext is that the Times fears the “brand leak” that happens when institutional authority is laundered through punditry. Requiring permission signals: our reporters are not free agents; their credibility is communal property.
Okrent calling it “a really good thing” also betrays an older newsroom ideal: independence from the spectacle. Yet there’s an irony in trying to preserve trust by tightening control. The policy doesn’t only restrain outside appearances; it recentralizes power inside the newsroom hierarchy, making “credibility” less about transparent accountability and more about disciplined messaging. In the age of omnipresent platforms, that’s a wager that credibility is best maintained by limiting exposure rather than expanding candor.
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| Topic | Honesty & Integrity |
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