"The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh"

Leslie Nielsen, renowned for his adeptness in both remarkable and comedic roles, highlights a fundamental element of comedic efficiency in this quote. He succinctly captures the essence of comedy as an art form with particular strategies, especially focusing on violence and vaudeville funny.

The reference to "violence" in funny does not suggest physical damage however rather encompasses overstated physicality and slapstick components that are frequently main to comical acts. This design harkens back to the age of quiet films and funny legends such as Charlie Chaplin and Buster Keaton, who mastered the art of physical funny. It includes utilizing the body in overstated, unexpected ways to generate laughter, relying on timing, and developing situations that amaze or entertain the audience through unexpected gestures or pratfalls.

Vaudeville, on the other hand, is a theatrical category that thrived in the early 20th century, identified by a variety of acts consisting of comics, artists, dancers, and magicians. This type of funny is known for its high-energy performances, fast wit, and a broad appeal that entertained audiences with its varied, dynamic acts. It requires adaptability and a keen sense of timing from the performer to keep the audience engaged and amused.

Nielsen underscores that comics are purposed to make audiences laugh, irrespective of the strategies used. The artistry lies in the execution-- whether through physicality, smart wordplay, or situational funny. The entertainer's task is particular yet complex: to connect with the audience and stimulate laughter, which is thought about among the most difficult tasks given the subjective nature of humor.

By isolating funny as a "technique all by itself", Nielsen pays homage to the skill and subtlety associated with making people laugh. It is a tip of the behind-the-scenes devotion to mastering comedic timing, versatility, and the capability to read and react to audience reactions. Nielsen himself, known for his deadpan shipment in parodies and his adeptness in humor, embodies these concepts, showing the diverse nature of comical performance.