"There are two sides to every question: my side and the wrong side"
About this Quote
The joke lands because it weaponizes the most smug sentence in civic life: "There are two sides to every question". Levant takes that liberal piety about fairness and balance and snaps it in half, revealing the vanity underneath. His twist is a tiny act of tyranny dressed as candor: not only does he have an opinion, he has annexed reality. The line works as comedy because it’s structurally authoritarian and emotionally familiar. We’ve all met someone who treats disagreement as a clerical error.
Levant’s intent isn’t just to brag; it’s to mock the kind of self-certainty that often passes for sophistication. Coming from a composer and professional wit operating in mid-century American show-business culture, the subtext reads like a survival tactic. In a world of critics, committees, and status games, declaring yourself the sole legitimate viewpoint is absurdist armor: if you can’t win the argument, you can at least dominate the room. It’s also a performer’s gambit. The laugh is a form of control, a way to pre-empt judgment by turning judgment into material.
Context matters: Levant was famous for his acidic one-liners and a public persona built on neurotic honesty. That biography adds bite; the line can be read as confession masquerading as arrogance. He’s parodying his own impulses as much as anyone else’s. The result is a compact satire of ego, the kind that flatters the listener just enough to make them worry they might be the punchline.
Levant’s intent isn’t just to brag; it’s to mock the kind of self-certainty that often passes for sophistication. Coming from a composer and professional wit operating in mid-century American show-business culture, the subtext reads like a survival tactic. In a world of critics, committees, and status games, declaring yourself the sole legitimate viewpoint is absurdist armor: if you can’t win the argument, you can at least dominate the room. It’s also a performer’s gambit. The laugh is a form of control, a way to pre-empt judgment by turning judgment into material.
Context matters: Levant was famous for his acidic one-liners and a public persona built on neurotic honesty. That biography adds bite; the line can be read as confession masquerading as arrogance. He’s parodying his own impulses as much as anyone else’s. The result is a compact satire of ego, the kind that flatters the listener just enough to make them worry they might be the punchline.
Quote Details
| Topic | Witty One-Liners |
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