"There are very few solid family films. A lot of the writing is awful"
About this Quote
Chevy Chase’s jab lands because it’s delivered like a throwaway complaint but carries the bruised authority of someone who helped define what “family entertainment” looked like for a generation. Coming from a comedian whose peak fame arrived in the era of broad studio comedies and four-quadrant hits, the line reads less like elitism than frustration: the safest category in Hollywood is often the laziest.
His specific intent is to puncture the assumption that “family film” equals wholesome craft. Chase is pointing at a structural problem, not just a taste issue. Family movies are built to offend no one, to play on planes, to sell toys, to satisfy multiple age brackets at once. That brief incentivizes mushy dialogue, flattened characters, and humor sanded down until it’s frictionless. “Solid” is doing a lot of work here: he’s not demanding art-house sophistication, he’s asking for basic storytelling competence - jokes with timing, scenes with purpose, characters who act like humans instead of brand mascots.
The subtext also feels personal. Chase has long carried a reputation for impatience with mediocrity, sometimes to his own detriment. That sharpness becomes a kind of cultural critique: when a genre is treated as “for kids,” the writing is allowed to be bad, as if young audiences won’t notice. They do. So do parents trapped on the couch.
In context, it’s a complaint about a market that mistakes broad appeal for emptiness. Chase’s line is cynical, sure, but it’s also a dare: make something the whole family can watch without insulting any of them.
His specific intent is to puncture the assumption that “family film” equals wholesome craft. Chase is pointing at a structural problem, not just a taste issue. Family movies are built to offend no one, to play on planes, to sell toys, to satisfy multiple age brackets at once. That brief incentivizes mushy dialogue, flattened characters, and humor sanded down until it’s frictionless. “Solid” is doing a lot of work here: he’s not demanding art-house sophistication, he’s asking for basic storytelling competence - jokes with timing, scenes with purpose, characters who act like humans instead of brand mascots.
The subtext also feels personal. Chase has long carried a reputation for impatience with mediocrity, sometimes to his own detriment. That sharpness becomes a kind of cultural critique: when a genre is treated as “for kids,” the writing is allowed to be bad, as if young audiences won’t notice. They do. So do parents trapped on the couch.
In context, it’s a complaint about a market that mistakes broad appeal for emptiness. Chase’s line is cynical, sure, but it’s also a dare: make something the whole family can watch without insulting any of them.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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