"There's no business like show business, but there are several businesses like accounting"
About this Quote
David Letterman flips a showbiz cliché to puncture the industrys self-importance while landing a genial joke about everyday work. The first half echoes an Irving Berlin anthem that helped Hollywood and Broadway mythologize themselves as singular, magical realms. The second half snaps the spell. By invoking accounting as the stand-in for routine white-collar labor, he contrasts entertainments promise of uniqueness with the predictability and interchangeability that mark much modern office life.
The humor turns on structure and surprise. A familiar slogan invites agreement; a dry addendum reframes it with a shrug. Several is the perfect comic word: understated, faintly bureaucratic, it drains the bravado from the show business rhetoric. The line also embodies Lettermans late-night persona, which thrived on deflating hype. As a host who both belonged to and mocked the television machine, he reminded viewers that the glamour they watched nightly was also a grind of ratings, advertisers, and schedules.
Accounting here is not an insult so much as a metonym for the reliable, procedural work that keeps institutions running. Where show business sells novelty and spectacle, accounting enforces rules and consistency. The joke depends on the gap between those worlds, but it also slyly acknowledges how much they overlap. Behind the spotlight sit budgets, audits, contracts, and ledgers. Entertainment calls itself unique, yet it remains a business governed by the same spreadsheets as any other.
There is a democratic subtext too. Most viewers do not live in the rarified economy of fame, and the punchline flatters their reality without sneering at it. By diminishing show businesss pretension, Letterman elevates the dignity of ordinary labor, suggesting that the extraordinary is rarer than advertised and the ordinary more honorable than recognized. Laughter becomes a small act of rebalancing between spectacle and the structures that sustain it.
The humor turns on structure and surprise. A familiar slogan invites agreement; a dry addendum reframes it with a shrug. Several is the perfect comic word: understated, faintly bureaucratic, it drains the bravado from the show business rhetoric. The line also embodies Lettermans late-night persona, which thrived on deflating hype. As a host who both belonged to and mocked the television machine, he reminded viewers that the glamour they watched nightly was also a grind of ratings, advertisers, and schedules.
Accounting here is not an insult so much as a metonym for the reliable, procedural work that keeps institutions running. Where show business sells novelty and spectacle, accounting enforces rules and consistency. The joke depends on the gap between those worlds, but it also slyly acknowledges how much they overlap. Behind the spotlight sit budgets, audits, contracts, and ledgers. Entertainment calls itself unique, yet it remains a business governed by the same spreadsheets as any other.
There is a democratic subtext too. Most viewers do not live in the rarified economy of fame, and the punchline flatters their reality without sneering at it. By diminishing show businesss pretension, Letterman elevates the dignity of ordinary labor, suggesting that the extraordinary is rarer than advertised and the ordinary more honorable than recognized. Laughter becomes a small act of rebalancing between spectacle and the structures that sustain it.
Quote Details
| Topic | Puns & Wordplay |
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