"There's something that happens in that delivery room, when a woman becomes ten times more a woman, and a guy becomes six times less a man. You feel really dopey and useless and like a spectator. I did, anyway"
About this Quote
Paul Reiser’s joke lands because it’s a confession dressed up as arithmetic. The “ten times” and “six times” aren’t measurements; they’re a comic way to admit that the delivery room detonates the usual gender scripts. Whatever cultural myth says men are supposed to be protectors, fixers, captains of the ship, childbirth is the scene where that fantasy gets benched. The woman becomes “more a woman” not in some mystical, Hallmark sense, but in the blunt reality that her body is doing the actual work while everyone else fumbles with ice chips and encouragement.
The punch is the reversal: masculinity, often performed as competence and control, looks absurd next to labor. “Dopey and useless” is self-deprecation with a purpose. It lets Reiser name male helplessness without making it resentful. He’s not attacking women or sanctifying them; he’s mocking the male instinct to treat every situation like a project. In that room, there is no project management role for him, just witness.
Context matters: Reiser’s whole comic lane (especially around the late-80s/90s “dad” persona) is domestic bewilderment, where the humor comes from a guy realizing the world doesn’t center his experience. The “I did, anyway” tag is the moral valve: he backs off the universal claim and makes it personal, inviting recognition rather than argument. The subtext is surprisingly tender: awe, envy, and gratitude, filtered through the only socially acceptable language some men have for vulnerability - a joke.
The punch is the reversal: masculinity, often performed as competence and control, looks absurd next to labor. “Dopey and useless” is self-deprecation with a purpose. It lets Reiser name male helplessness without making it resentful. He’s not attacking women or sanctifying them; he’s mocking the male instinct to treat every situation like a project. In that room, there is no project management role for him, just witness.
Context matters: Reiser’s whole comic lane (especially around the late-80s/90s “dad” persona) is domestic bewilderment, where the humor comes from a guy realizing the world doesn’t center his experience. The “I did, anyway” tag is the moral valve: he backs off the universal claim and makes it personal, inviting recognition rather than argument. The subtext is surprisingly tender: awe, envy, and gratitude, filtered through the only socially acceptable language some men have for vulnerability - a joke.
Quote Details
| Topic | New Dad |
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