"These are the people who are going to see the pictures in my museum"

The quote "These are individuals who are going to see the pictures in my museum" by Norton Simon can be interpreted through various lenses consisting of personal ambition, philanthropy, and the democratization of art.

Norton Simon, as an influential business person and passionate art collector, most likely saw the facility of his museum as a legacy project. The quote might reveal his recognition that his collection was not merely for individual pleasure but for public knowledge and cultural enrichment. By referring to "these are individuals", Simon acknowledges a varied audience, recommending an inclusivity in his vision for the museum. He understood that art is a universal language, speaking with people from varied backgrounds, and planned for his collection to be available to all, not booked for an elite couple of.

Furthermore, the quote reflects his commitment to sharing charm and cultural heritage with future generations. Simon's awareness of the museum's role in society highlights his philanthropic intent: to contribute positively to community life and education. Art museums are areas for learning, reflection, and dialogue, and Simon appears to have actually embraced this role not simply as a custodian of art but as an active participant in cultural dissemination.

There is likewise a component of legacy to think about. Museums typically serve as repositories of culture and history, helping to shape the story of civilization. Simon's choice of words hints at a forward-looking point of view, where he envisages his collection as having an enduring impact. He expected that the organization he produced would endure beyond his lifetime, playing a continuous part in public life.

Lastly, Simon's quote underscores a respect and recommendation of the visitors themselves. It implies that he valued the function of the public in breathing life into the museum. The experience of seeing art is interactive and individual, highly dependent on the individuals who engage with it. By imagining visitors as an essential part of his museum's lifecycle, Simon recognized the essential symbiosis between art, its discussion, and its audience.