"They say it's good but I didn't know what I was doing until I got into the suit and they put the moustache on me, and somehow, when I got all the drag on, it came out. It was the most amazing thing. I'm truly extraordinary"

This quote from Harvey Korman provides a look into the actor's transformative procedure and highlights the often extraordinary nature of performance. Korman, a legendary comic and actor known for his work on "The Carol Burnett Program", is assessing the distinct power of outfit and characterization in acting.

At first, he reveals humbleness, confessing that despite what "they say" about his potential, he didn't completely understand his character until he wore the outfit and moustache. This acknowledgment of unpredictability or lack of clarity is a typical experience amongst stars, who typically count on external elements like outfits, makeup, and set to completely enter their roles. It's a nod to the collective nature of theater and movie, where various aspects converge to develop a believable character.

Korman explains the process of getting "into the suit" and having "the moustache on" as turning points that allowed his change. These components of "drag"-- a term that in this context describes the exaggerated and theatrical design of dress-- contributed in opening his performance. "Drag" in this sense functions as a metaphor for the larger-than-life personalities stars often live in, assisting in a fuller expression of character characteristics that might initially seem evasive.

The declaration "somehow, when I got all the drag on, it came out" recommends a natural, practically wonderful introduction of the character once the physical transformation was complete. This lines up with the concept that the external can deeply affect the internal, where the best outfit or piece of makeup unexpectedly makes everything click.

Lastly, Korman's exclamation "It was the most fantastic thing. I'm truly extraordinary" exposes a moment of self-realization. While it could be viewed as tongue-in-cheek, it likewise communicates real awe at the surprising effectiveness of these theatrical tools. In essence, Korman highlights the mysterious alchemy of acting, where preparation, costume, and temporary inspiration combine to develop something truly amazing and, indeed, amazing.