"This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought"

Jean Dujardin's quote reflects the diverse nature and creative threats fundamental in making a silent film in the contemporary period. At its essence, he recommends that the film has universal appeal and the ability to go beyond cultural and linguistic boundaries, making it accessible to a global audience. This universality typically originates from the movie's reliance on visual storytelling and psychological expression, which are natural human experiences.

Dujardin acknowledges that while the movie's prospective to break barriers emerged, it wasn't the main focus throughout the filmmaking process. This highlights a common phenomenon in creative ventures where developers immerse themselves completely in their creative process, often uninformed of the wider impact their work may have. His remark highlights the natural and unpremeditated quality of the movie's reception, recommending that its appeal and originality were born of authentic creativity rather than determined technique.

By describing the movie as "a bit under the wire, a bit interdit," Dujardin touches on the notion that making a quiet motion picture in today's cinematic landscape is non-traditional, even rebellious. Silent films are a tribute to a bygone period in movie theater, and developing one in the modern age can feel both classic and innovative. The term "interdit" implies a sense of prohibited or taboo, hinting at the audacity of venturing into a largely abandoned kind of storytelling.

Lastly, the referral to the movie being a "pastiche" for the "French taste" adds layers to his statement. A pastiche, which includes imitating the design of other works, plays into the movie's quiet film visual while resonating with French creative sensibilities. French cinema, understood for its focus on style and substance, traditionally accepts auteurs who press borders, making the movie's ingenious method all at once traditional and clearly attractive within that context.