"Treasures are no longer to be got by instrumental art"

Clara Schumann, a renowned 19th-century pianist and author, lived throughout a time of significant change in the music world. The quote "Treasures are no longer to be got by instrumental art" records a sentiment that most likely reflects her perspective on the evolving nature of music and art during her lifetime.

In the context of her era, the Romantic period in symphonic music was identified by intense emotional expression and individualism. This age was marked by a shift from the structured structures of the Classical duration to more meaningful, sometimes improvisational pieces that prioritized feeling and the composer's individual expression. Critical art, generally rooted in technical proficiency and adherence to structured kinds, might have appeared less rewarding in terms of innovation and creativity in this brand-new artistic landscape.

Clara Schumann herself was a musical prodigy, renowned for her virtuosity and expressive efficiencies. Her life and profession were intertwined with the music of her other half, Robert Schumann, and her friend, Johannes Brahms. She resided in a world where the function of the artist was beginning to broaden beyond mere efficiency; composers and entertainers were beginning to be viewed as individual artists with distinct voices.

The quote may recommend that simply mastering an instrument's technical demands was no longer adequate to attain real artistic "treasures" or profound artistry. Instead, the new treasures of music may have originated from a deeper psychological or intellectual engagement with the art, driven by personal expression and innovative development. This implied that musicians required to move beyond mechanical proficiency to get in touch with audiences on a more profound level.

Additionally, Clara Schumann's quote might be seen as a commentary on the altering societal worth of music itself. As the 19th century progressed, musical structures began to move focus more towards storytelling, emotional expression, and stimulating images, rather than entirely counting on the technical luster of important efficiency. This shift might have led her to express a belief that real "treasures" in art were not to be discovered merely in the mechanical execution of music but rather in its capacity to move, motivate, and engage the listener on a deeper level.

In conclusion, Clara Schumann's observation might highlight the transformative nature of music throughout her lifetime, recommending the requirement for artists to dive beyond technical prowess and to look for meaningful, personal expression in order to reveal the real treasures of their art.