"Video games are so popular these days, getting the opportunity to star in one is something special. More people should do it"
About this Quote
Carrot Top treats video games not as a novelty but as a premier stage, signaling how far the medium has moved from niche pastime to cultural main street. To star in a game is not merely to license a face; it is to enter a space where audiences do not just watch but act, steering a character and experiencing a performance from the inside. That interactivity turbocharges celebrity presence. A movie cameo is fleeting; a playable likeness becomes hours of intimate contact.
Coming from a prop comic known for self-aware kitsch and showmanship, the line carries a wink. It celebrates the ego-thrill of being digitized while poking fun at the modern hustle where entertainers expand across every platform. Yet the observation is practical too. Games rival film and TV in budgets, craft, and reach. Keanu Reeves in Cyberpunk 2077, Norman Reedus in Death Stranding, and Travis Scott’s Fortnite spectacle show how games can anchor star turns, reframe personas, and unlock global audiences who might never attend a stand-up set or watch a prestige drama.
The impulse to say more people should do it doubles as an invitation and a provocation. It invites performers to treat games as an experimental lab: voice work and performance capture demand precision, physicality, and restraint, often yielding new shades of charisma. It also challenges lingering hierarchies that treat games as lesser art. If the medium now defines youth culture, fandom, and even music and fashion, then joining it is not a stunt; it is career literacy.
There is also a quiet promise of digital afterlife. To be scanned, voiced, and coded is to persist in a form that fans can revisit, mod, and share. Whether read as earnest career advice or sly self-promotion, the sentiment captures a media reality: the path to relevance runs through the console as much as it does through the camera.
Coming from a prop comic known for self-aware kitsch and showmanship, the line carries a wink. It celebrates the ego-thrill of being digitized while poking fun at the modern hustle where entertainers expand across every platform. Yet the observation is practical too. Games rival film and TV in budgets, craft, and reach. Keanu Reeves in Cyberpunk 2077, Norman Reedus in Death Stranding, and Travis Scott’s Fortnite spectacle show how games can anchor star turns, reframe personas, and unlock global audiences who might never attend a stand-up set or watch a prestige drama.
The impulse to say more people should do it doubles as an invitation and a provocation. It invites performers to treat games as an experimental lab: voice work and performance capture demand precision, physicality, and restraint, often yielding new shades of charisma. It also challenges lingering hierarchies that treat games as lesser art. If the medium now defines youth culture, fandom, and even music and fashion, then joining it is not a stunt; it is career literacy.
There is also a quiet promise of digital afterlife. To be scanned, voiced, and coded is to persist in a form that fans can revisit, mod, and share. Whether read as earnest career advice or sly self-promotion, the sentiment captures a media reality: the path to relevance runs through the console as much as it does through the camera.
Quote Details
| Topic | Funny |
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