"We are forced by the major publishers to include electronic rights in the contracts we make with publishers for new books. And there's very little we can do about that"
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Curtis is laying out a power map, not making a technical point about contracts. The plainness of "forced" does the heavy lifting: it strips away the industry euphemisms ("standard terms", "industry practice") and names the relationship for what it feels like from the author side - coercion disguised as choice. Then he tightens the vice with "major publishers", a phrase that signals consolidation without needing to say "monopoly". You can hear the resigned arithmetic of the marketplace: if you want the distribution, prestige, and marketing muscle, you swallow the rights grab.
The line that lands hardest is the shrug embedded in "there's very little we can do about that". It's not ignorance; it's a verdict. Curtis is telegraphing the asymmetry of bargaining power in a sector where individual writers negotiate one book at a time while conglomerates negotiate a whole future of formats. Electronic rights aren't just a checkbox. They're the lever that controls pricing, availability, backlist life, and the long tail of revenue. Who owns the e-rights owns the afterlife.
Context matters: this is a post-digital-pivot complaint, after e-books stopped being an experiment and became infrastructure. Publishers moved to bundle rights preemptively, treating digital as inseparable from print to prevent authors from splitting formats or shopping e-rights elsewhere. Curtis's intent is partly solidarity-building - a public admission meant to normalize saying no - but the subtext is darker: collective action is hard when the gatekeepers are few and the dream is personal.
The line that lands hardest is the shrug embedded in "there's very little we can do about that". It's not ignorance; it's a verdict. Curtis is telegraphing the asymmetry of bargaining power in a sector where individual writers negotiate one book at a time while conglomerates negotiate a whole future of formats. Electronic rights aren't just a checkbox. They're the lever that controls pricing, availability, backlist life, and the long tail of revenue. Who owns the e-rights owns the afterlife.
Context matters: this is a post-digital-pivot complaint, after e-books stopped being an experiment and became infrastructure. Publishers moved to bundle rights preemptively, treating digital as inseparable from print to prevent authors from splitting formats or shopping e-rights elsewhere. Curtis's intent is partly solidarity-building - a public admission meant to normalize saying no - but the subtext is darker: collective action is hard when the gatekeepers are few and the dream is personal.
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| Topic | Book |
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