"We are time's subjects, and time bids be gone"
About this Quote
Time stands as a sovereign in this line, and human beings are cast as its subjects, bound to obey its command. The phrase turns a political relationship into a metaphysical one: just as subjects cannot overrule their king, even monarchs cannot overrule time. The imperative be gone presses with the urgency of an order that tolerates neither delay nor appeal. There is resignation in it, but also clarity, a clean acknowledgment that the hour dictates action and departure, that the stage of life and the literal stage must clear for what comes next.
Shakespeare builds many of his history plays around this paradox. Kings seem to hold absolute sway, yet the narratives are driven by succession, aging, illness, and the cycles of rebellion and reconciliation. The Henry IV dramas track a world in which power is always provisional, inherited by one generation only to be relinquished to the next. The line folds that whole arc into a single beat: time dismisses everyone, from the boisterous Falstaff to the careworn king, and even the prince on the cusp of reformation only borrows the crown for a moment. It functions theatrically, too, as a cue to stop talking and move, a reminder that debates, plans, and bravado all must yield to the march of events.
Across the works, Shakespeare returns to time as both predator and judge. Sonnet 60 imagines minutes like waves hastening toward their end; Sonnet 19 calls time devouring. Yet he also suggests a counterpoise: if sovereignty belongs to time, dignity belongs to those who understand its rule. The line therefore does not only lament mortality. It also encourages precision and purpose. Since the order to be gone will eventually come, the value of the present intensifies. The freedom that remains is how to occupy the moment before dismissal, how to act within time rather than pretend to stand outside it.
Shakespeare builds many of his history plays around this paradox. Kings seem to hold absolute sway, yet the narratives are driven by succession, aging, illness, and the cycles of rebellion and reconciliation. The Henry IV dramas track a world in which power is always provisional, inherited by one generation only to be relinquished to the next. The line folds that whole arc into a single beat: time dismisses everyone, from the boisterous Falstaff to the careworn king, and even the prince on the cusp of reformation only borrows the crown for a moment. It functions theatrically, too, as a cue to stop talking and move, a reminder that debates, plans, and bravado all must yield to the march of events.
Across the works, Shakespeare returns to time as both predator and judge. Sonnet 60 imagines minutes like waves hastening toward their end; Sonnet 19 calls time devouring. Yet he also suggests a counterpoise: if sovereignty belongs to time, dignity belongs to those who understand its rule. The line therefore does not only lament mortality. It also encourages precision and purpose. Since the order to be gone will eventually come, the value of the present intensifies. The freedom that remains is how to occupy the moment before dismissal, how to act within time rather than pretend to stand outside it.
Quote Details
| Topic | Mortality |
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