"We don't deliberately set out to offend. Unless we feel it's justified"
About this Quote
Offense, in Graham Chapman’s telling, isn’t the point; it’s the tool. The first sentence performs innocence with a straight face: “We don’t deliberately set out to offend.” It’s the kind of polite disclaimer comedians are expected to offer so the room stays comfortable and the censors stay bored. Then comes the scalpel twist: “Unless we feel it’s justified.” The punchline isn’t shock for shock’s sake, but a claim of editorial judgment. Offense becomes a moral category, not an accident.
That’s very Monty Python: the comedy acts like it’s merely being silly while quietly asserting a right to interrogate authority, taste, and piety. “Justified” smuggles in a worldview where the comedian is less court jester than skeptical journalist - deciding when social norms deserve to be poked hard enough to squeal. It also exposes how “offense” is often a proxy for threatened status. If the target is hypocrisy, sanctimony, nationalism, or religious certainty, making people uncomfortable isn’t collateral damage; it’s proof of contact.
The subtext is a neat inversion of the usual complaint: if you’re offended, maybe the joke landed on something real. Chapman’s phrasing keeps it dry, almost bureaucratic, as if offensiveness were a line item on a budget. That deadpan restraint is the point. It refuses both apology and bravado, implying the only real sin in comedy isn’t offending - it’s offending without purpose.
That’s very Monty Python: the comedy acts like it’s merely being silly while quietly asserting a right to interrogate authority, taste, and piety. “Justified” smuggles in a worldview where the comedian is less court jester than skeptical journalist - deciding when social norms deserve to be poked hard enough to squeal. It also exposes how “offense” is often a proxy for threatened status. If the target is hypocrisy, sanctimony, nationalism, or religious certainty, making people uncomfortable isn’t collateral damage; it’s proof of contact.
The subtext is a neat inversion of the usual complaint: if you’re offended, maybe the joke landed on something real. Chapman’s phrasing keeps it dry, almost bureaucratic, as if offensiveness were a line item on a budget. That deadpan restraint is the point. It refuses both apology and bravado, implying the only real sin in comedy isn’t offending - it’s offending without purpose.
Quote Details
| Topic | Witty One-Liners |
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