"We had to do a lot of rehearsals to get it so that it was playable. What it did was make you practice. That's good for any musician to have that kind of pressure. It brings things out of you that might not come out if you don't have to reach for something all the time"

In this quote, Ray Brown, a distinguished jazz double bassist, highlights the significance and benefits of rigorous practice and practice session in the life of an artist. The quote reflects a mindset that values the pressure of preparation as a necessary component of artistic development and proficiency.

Brown starts by acknowledging the need of substantial wedding rehearsals to guarantee that a piece is "playable". This suggests that the complexity of the music needed not only private skill but likewise the cohesion that can only be achieved through sustained and devoted group practice. Rehearsals are illustrated as critical in achieving the technical and interpretive level needed for efficiency.

He goes on to express that such wedding rehearsals inherently required consistent practice. This practice is framed positively as an advantageous compulsion, indicating that the music itself imposes a standard that the musician should aim to fulfill. Brown highlights that this process is advantageous, not simply as a means to an end but as an intrinsic helpful for any artist.

The "pressure" explained by Brown acts as a motivating force, pressing musicians beyond their comfort zones. It is through the demands of consistent practice and the pressure to perfect their craft that artists are typically able to uncover formerly untapped capacity. Brown recommends that this external impetus draws out qualities and abilities in an artist that may stay inactive without the difficulty of demanding wedding rehearsals.

Ultimately, Brown's reflection represents pressure and practice as transformative experiences. The quote encapsulates an approach that welcomes challenges as drivers for individual and creative development. It conveys the concept that the discipline and commitment needed in preparation are not almost achieving technical skills however are basic in discovering much deeper layers of imagination and self-expression in music.