"Well, I think that there's a value to comedy in and of itself"
About this Quote
Comedy doesn’t need a permission slip from tragedy to matter. Franken’s line, delivered with the mildness of someone pretending it’s obvious, is actually a quiet argument against a whole cultural reflex: the demand that jokes justify themselves by doubling as therapy, activism, or moral instruction. “In and of itself” is the tell. It’s a small phrase that defends comedy’s autonomy, as if he’s pushing back on the idea that laughter is only acceptable when it’s productive.
The intent reads as self-defense and a bit of preemptive framing. Franken’s career sits at an awkward crossroads: a comedian who became a senator, a satirist who entered the machinery he once mocked. In that context, comedy gets treated like a juvenile phase he “grew out of,” or a tool he repurposed for politics. This line insists that the original craft wasn’t just a stepping stone. It was the point.
There’s subtext, too, about the way audiences police humor. Comedy is perpetually on trial: Is it punching down? Is it “important”? Is it responsible? Franken isn’t dismissing those questions so much as refusing to let them become the only metric. He’s arguing for a baseline human function: release, clarity, the instant reordering of a room when people laugh together. In a culture that monetizes outrage and rewards solemnity, defending comedy as intrinsically valuable is almost contrarian. It’s also strategic: if comedy has value on its own, then the comedian isn’t merely an entertainer - he’s practicing a public service without needing to campaign for it.
The intent reads as self-defense and a bit of preemptive framing. Franken’s career sits at an awkward crossroads: a comedian who became a senator, a satirist who entered the machinery he once mocked. In that context, comedy gets treated like a juvenile phase he “grew out of,” or a tool he repurposed for politics. This line insists that the original craft wasn’t just a stepping stone. It was the point.
There’s subtext, too, about the way audiences police humor. Comedy is perpetually on trial: Is it punching down? Is it “important”? Is it responsible? Franken isn’t dismissing those questions so much as refusing to let them become the only metric. He’s arguing for a baseline human function: release, clarity, the instant reordering of a room when people laugh together. In a culture that monetizes outrage and rewards solemnity, defending comedy as intrinsically valuable is almost contrarian. It’s also strategic: if comedy has value on its own, then the comedian isn’t merely an entertainer - he’s practicing a public service without needing to campaign for it.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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