"Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them"

Mark Morris's quote reflects a nuanced point of view on the interaction between creative gratitude and ethical or ideological dispute. In this declaration, Morris highlights a typical dispute that many people experience: the capability to separate an artist's work from their individual beliefs or controversial aspects of their legacy.

When Morris states, "I'm not obsessed with ... I like Walt Disney other than that you understand, except for the dreadful fascism", it suggests that he acknowledges troublesome elements related to Walt Disney's legacy, whether real or viewed. He describes "fascism" symbolically, maybe alluding to accusations of Disney's associations or compassions, which have actually been part of historical dispute and analysis throughout the years, although not definitively proven. This indicates Morris's awareness of the complicated history surrounding Disney's personality, yet he does not let it completely define or overshadow his appreciation for the creative contributions.

Morris's expression, "I love the art of it", reveals his adoration for the imagination and innovation that the Disney brand has given the world of animation and home entertainment. Disney's creative output, from timeless animated films to theme park wonders, represents significant cultural accomplishments that have shaped the genre and brought happiness to audiences worldwide. Morris articulates a typical internal discussion where one can value the positive aspects of a creative production while staying crucial of the creator's imperfections or societal effects.

The quote highlights the broader theme of the separation of art from artist-- acknowledging that it is possible to appreciate a work for its visual or emotional worth regardless of the developer's personal ideology. Morris's honest admission, "I like a lot of things I do not agree with which's one of them", records the essence of this common ethical dilemma, embodying the battle in between individual worths and artistic gratitude. This positions Morris as an advocate for important engagement with art, motivating audiences to value art beyond the confines of the developer's individual views or controversies.