"What do I think about the way most people dress? Most people are not something one thinks about"
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Vreeland’s insult lands with the lightness of a chiffon scarf and the force of a guillotine. On paper, she’s answering a harmless question about clothes; in practice, she’s policing attention itself. The pivot is the sly grammatical trap: “Most people are not something one thinks about.” She isn’t merely calling the majority badly dressed. She’s declaring them aesthetically irrelevant, unworthy of the mental real estate that true style demands.
That’s the Vreeland worldview in miniature. As a fashion editor who helped turn magazines into taste-making machines, she treated glamour less as personal preference than as a hierarchy. Fashion, for her, isn’t about fabric; it’s about distinction. The line performs that distinction in real time: she refuses the democratic premise that “most people” count as a reference point. The dismissal is the point. It signals membership in an elite of perception, the kind of person who notices, curates, edits.
The subtext is also a defense of imagination against the tyranny of the average. Vreeland sold fantasy for a living - not “how to look normal,” but how to look like a story. By refusing to “think about” most people, she elevates the exceptional as the only proper subject, and dares the listener to either be exceptional or accept invisibility.
It’s snobbery, yes, but it’s also branding: the editor as oracle. She turns a question about wardrobes into a warning about cultural anonymity. In Vreeland’s universe, being overlooked isn’t an accident; it’s the default.
That’s the Vreeland worldview in miniature. As a fashion editor who helped turn magazines into taste-making machines, she treated glamour less as personal preference than as a hierarchy. Fashion, for her, isn’t about fabric; it’s about distinction. The line performs that distinction in real time: she refuses the democratic premise that “most people” count as a reference point. The dismissal is the point. It signals membership in an elite of perception, the kind of person who notices, curates, edits.
The subtext is also a defense of imagination against the tyranny of the average. Vreeland sold fantasy for a living - not “how to look normal,” but how to look like a story. By refusing to “think about” most people, she elevates the exceptional as the only proper subject, and dares the listener to either be exceptional or accept invisibility.
It’s snobbery, yes, but it’s also branding: the editor as oracle. She turns a question about wardrobes into a warning about cultural anonymity. In Vreeland’s universe, being overlooked isn’t an accident; it’s the default.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Help us find the source |
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