"What is the beautiful, if not the impossible"
About this Quote
Beauty, for Flaubert, isn’t a soft-focus pleasure; it’s a dare. "What is the beautiful, if not the impossible" reads like an aesthetic manifesto smuggled into a riddle: if beauty is real, it’s because it exceeds the ordinary conditions of life. The line doesn’t praise difficulty for its own sake. It insists that the beautiful is defined by mismatch: between what we want and what the world is willing to give, between the sentence in your head and the stubborn sentence on the page.
That’s classic Flaubert, a novelist who treated style as a form of morality. He chased le mot juste with monastic intensity, and the chase mattered more than the catch. The "impossible" here is doing justice to experience without lying about it. It’s also the impossible of purity: a perfect form, a perfect love, a perfect self. Flaubert knew how those cravings curdle into boredom and cruelty. Madame Bovary is, among other things, a case study in mistaking romantic impossibility for a livable life. The tragedy isn’t Emma wanting beauty; it’s her wanting beauty without the cost of reality.
The subtext is both bracing and bleak: art’s highest aim is unattainable, so the only honest stance is relentless striving. Beauty becomes a horizon line - motivating, receding, and useful precisely because it can’t be possessed. In an era newly obsessed with mass taste and easy sentiment, Flaubert’s definition is a refusal: if it comes too cheaply, it isn’t beautiful.
That’s classic Flaubert, a novelist who treated style as a form of morality. He chased le mot juste with monastic intensity, and the chase mattered more than the catch. The "impossible" here is doing justice to experience without lying about it. It’s also the impossible of purity: a perfect form, a perfect love, a perfect self. Flaubert knew how those cravings curdle into boredom and cruelty. Madame Bovary is, among other things, a case study in mistaking romantic impossibility for a livable life. The tragedy isn’t Emma wanting beauty; it’s her wanting beauty without the cost of reality.
The subtext is both bracing and bleak: art’s highest aim is unattainable, so the only honest stance is relentless striving. Beauty becomes a horizon line - motivating, receding, and useful precisely because it can’t be possessed. In an era newly obsessed with mass taste and easy sentiment, Flaubert’s definition is a refusal: if it comes too cheaply, it isn’t beautiful.
Quote Details
| Topic | Deep |
|---|
More Quotes by Gustave
Add to List












