"What's done can't be undone"
About this Quote
A four-word guillotine: clean, final, and impossibly heavy. In Shakespeare, “What’s done can’t be undone” isn’t a cozy proverb about acceptance; it’s the sound of a moral door locking from the inside. The line (most memorably in Macbeth) works because it refuses the fantasy that time is a solvent. You can’t “fix” a deed the way you fix a plan. Action, once taken, becomes part of the world’s furniture.
The intent is pragmatic and brutal: stop bargaining with reality. Shakespeare stages characters who treat choice like something reversible, as if remorse could function as an eraser. This sentence strips them of that delusion. It’s not advising calm so much as diagnosing panic. The subtext is guilt’s logic: the mind keeps running the scene again because it can’t rerun the outcome. That loop is the punishment.
Context matters. In tragedy, irrevocability is the engine; it converts impulse into fate. Macbeth and Lady Macbeth aren’t toppled by abstract evil but by a specific sequence of decisions that can’t be “unmade” once blood is spilled. The line also carries a quieter social truth of Shakespeare’s world: reputation, honor, lineage, and political legitimacy were fragile, and a single act could reorder a life permanently. That’s why the phrasing is passive (“What’s done”) rather than “What I did.” It lets the speaker dodge ownership while still feeling the weight.
Shakespeare’s genius here is compression. No metaphors, no ornament, just inevitability. The language enacts the idea: you can’t argue with it, only live after it.
The intent is pragmatic and brutal: stop bargaining with reality. Shakespeare stages characters who treat choice like something reversible, as if remorse could function as an eraser. This sentence strips them of that delusion. It’s not advising calm so much as diagnosing panic. The subtext is guilt’s logic: the mind keeps running the scene again because it can’t rerun the outcome. That loop is the punishment.
Context matters. In tragedy, irrevocability is the engine; it converts impulse into fate. Macbeth and Lady Macbeth aren’t toppled by abstract evil but by a specific sequence of decisions that can’t be “unmade” once blood is spilled. The line also carries a quieter social truth of Shakespeare’s world: reputation, honor, lineage, and political legitimacy were fragile, and a single act could reorder a life permanently. That’s why the phrasing is passive (“What’s done”) rather than “What I did.” It lets the speaker dodge ownership while still feeling the weight.
Shakespeare’s genius here is compression. No metaphors, no ornament, just inevitability. The language enacts the idea: you can’t argue with it, only live after it.
Quote Details
| Topic | Letting Go |
|---|---|
| Source | Macbeth (c.1606), Act 5, Scene 1 , Lady Macbeth: "What's done cannot be undone." (sleepwalking scene) |
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