"When I talked to him on the phone yesterday. I called him George rather than Mr. Vice President. But, in public, it's Mr. Vice President, because that is who he is"
About this Quote
The clunky choreography of power is the point here: Quayle is narrating a wardrobe change, swapping intimacy for institution in real time. On the phone, “George” is a colleague, maybe even a friend, someone you can rib or reason with. In public, he becomes “Mr. Vice President,” a title that functions less as courtesy than as architecture. Quayle isn’t just describing etiquette; he’s defending the idea that office outranks personality, that the republic runs on roles, not vibes.
The slip-and-correct rhythm of the line is revealing. The first sentence lands like an offhand confession, almost too casual, then the second tightens into a practiced explanation. That pivot mirrors a constant Washington anxiety: proximity to power can look like ownership of it. By emphasizing the distinction, Quayle reassures listeners that access doesn’t equal entitlement and that familiarity won’t dilute deference. It’s a way of saying, I’m close enough to call him George, but disciplined enough not to.
There’s also a subtle act of self-positioning. Quayle frames himself as someone inside the room yet obedient to its hierarchy, a credential and a hedge at once. “Because that is who he is” turns a job into an identity, elevating the office to something almost ontological. It’s the kind of line that makes a bureaucracy feel like destiny: you don’t merely hold power; power remakes you, and everyone else must speak accordingly.
The slip-and-correct rhythm of the line is revealing. The first sentence lands like an offhand confession, almost too casual, then the second tightens into a practiced explanation. That pivot mirrors a constant Washington anxiety: proximity to power can look like ownership of it. By emphasizing the distinction, Quayle reassures listeners that access doesn’t equal entitlement and that familiarity won’t dilute deference. It’s a way of saying, I’m close enough to call him George, but disciplined enough not to.
There’s also a subtle act of self-positioning. Quayle frames himself as someone inside the room yet obedient to its hierarchy, a credential and a hedge at once. “Because that is who he is” turns a job into an identity, elevating the office to something almost ontological. It’s the kind of line that makes a bureaucracy feel like destiny: you don’t merely hold power; power remakes you, and everyone else must speak accordingly.
Quote Details
| Topic | Respect |
|---|---|
| Source | Help us find the source |
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