"When she started to play, Steinway came down personally and rubbed his name off the piano"
About this Quote
It’s a perfect Bob Hope barb: clean, instant, and cruel in a way that feels almost antiseptic. The joke hinges on brand prestige. “Steinway” isn’t just a piano; it’s the gold standard, shorthand for taste, money, and musical legitimacy. So when Hope claims “Steinway came down personally and rubbed his name off,” he’s staging a slapstick exorcism of reputation. The laugh comes from anthropomorphizing the brand into a terrified founder scrambling to avoid guilt by association.
The intent is straightforward demolition, but the subtext is sharper: talent isn’t merely absent, it’s so aggressively bad it threatens the surrounding ecosystem of status. The instrument becomes the victim, not the player. That inversion is classic nightclub-era insult comedy, where the target is flattened quickly and the audience is recruited as co-conspirator.
Context matters. Hope came up in vaudeville, radio, and the one-liner economy of network entertainment, where jokes had to land fast and read clean to a mass audience. Namedropping Steinway is a mid-century cultural cue; audiences were expected to recognize the hierarchy of “good” taste even if they never touched a keyboard. There’s also a faint whiff of class satire: the expensive piano suggests aspirational culture, and Hope punctures it by implying the owner’s purchase can’t buy skill.
The line’s brutality is cushioned by its elegance. No profanity, no direct insult about the person’s looks or character - just a reputational panic, neatly outsourced to the logo.
The intent is straightforward demolition, but the subtext is sharper: talent isn’t merely absent, it’s so aggressively bad it threatens the surrounding ecosystem of status. The instrument becomes the victim, not the player. That inversion is classic nightclub-era insult comedy, where the target is flattened quickly and the audience is recruited as co-conspirator.
Context matters. Hope came up in vaudeville, radio, and the one-liner economy of network entertainment, where jokes had to land fast and read clean to a mass audience. Namedropping Steinway is a mid-century cultural cue; audiences were expected to recognize the hierarchy of “good” taste even if they never touched a keyboard. There’s also a faint whiff of class satire: the expensive piano suggests aspirational culture, and Hope punctures it by implying the owner’s purchase can’t buy skill.
The line’s brutality is cushioned by its elegance. No profanity, no direct insult about the person’s looks or character - just a reputational panic, neatly outsourced to the logo.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Later attribution: Laugh Off (Bob Fenster, 2005) modern compilationISBN: 9780740754685 · ID: wM_4Ls7P7jMC
Evidence: ... Bob Hope : " When she started to play , Steinway came down personally and rubbed his name off the piano . " Comic Greg Ray : " You go to the ballet and see girls dancing on their tiptoes . Why don't they just get taller girls ? " Comic ... Other candidates (1) Bob Hope (Bob Hope) compilation34.9% as the leaflets came down the next day i was called in front of the co but he let me off when i explained why |
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