"When we were starting off as kids, just the idea of maybe going to do this as a living instead of getting what we thought was going to be a boring job, was exciting"
About this Quote
McCartney frames fame less like destiny and more like an escape hatch, and that’s precisely why the line lands. He starts with “kids,” shrinking Beatlemania back down to its scrappy origin point: not icons in matching suits, just teenagers with a daredevil alternative to the conveyor belt. The phrase “just the idea of maybe” does heavy lifting. It’s modest to the point of understatement, a rhetorical shrug that makes the eventual scale of success feel even more absurd - and therefore more believable.
The real subject isn’t music; it’s work. “A boring job” isn’t merely a complaint about drudgery, it’s a snapshot of postwar British expectations: industrial routines, narrow class mobility, the quiet pressure to choose security over spark. By contrasting “this as a living” with the job they “thought” they’d have, he reveals how imagination functions as a form of resistance. The band isn’t only chasing art, they’re dodging a future that’s been pre-written.
There’s also a subtle emotional hedge in the grammar. McCartney doesn’t claim they knew they’d win; he claims they were thrilled by the possibility of not losing. That’s a working musician’s truth disguised as nostalgia: before the myth, there’s the thrill of permission - to take a risk, to treat a passion as labor, and to feel, for once, that adulthood might not be a narrowing.
The real subject isn’t music; it’s work. “A boring job” isn’t merely a complaint about drudgery, it’s a snapshot of postwar British expectations: industrial routines, narrow class mobility, the quiet pressure to choose security over spark. By contrasting “this as a living” with the job they “thought” they’d have, he reveals how imagination functions as a form of resistance. The band isn’t only chasing art, they’re dodging a future that’s been pre-written.
There’s also a subtle emotional hedge in the grammar. McCartney doesn’t claim they knew they’d win; he claims they were thrilled by the possibility of not losing. That’s a working musician’s truth disguised as nostalgia: before the myth, there’s the thrill of permission - to take a risk, to treat a passion as labor, and to feel, for once, that adulthood might not be a narrowing.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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