"While I was doing these plays in the beginning, I wasn't getting paid. I thought of it more as a hobby. Then I realized how seriously a lot of these people took what they were doing"
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There is a quiet humiliation in the way Berenger frames it: not getting paid becomes a kind of permission to stay emotionally casual. Calling the early work a "hobby" is self-protection as much as self-description - a way to keep ambition at arm's length in case the industry doesn’t reciprocate. The pivot comes on a social cue, not a personal epiphany: "Then I realized how seriously a lot of these people took what they were doing". He’s not claiming a sudden artistic awakening; he’s admitting he caught seriousness from proximity, like a dialect.
That’s what makes the line land. Acting is often mythologized as either divine calling or cynical hustle. Berenger offers a third lane: professionalism as contagious behavior. You walk into a rehearsal room expecting low stakes, and the room corrects you. The subtext is both chastening and democratizing. Seriousness isn’t reserved for the famous or the formally trained; it’s practiced by the people around you, many of whom may never be rewarded for it. Their commitment shames the dilettante out of you.
Context matters, too. Early-stage theater and off-the-grid gigs have long run on unpaid labor, a cultural economy where passion is both currency and trap. Berenger isn’t romanticizing that exploitation; he’s documenting the moment when unpaid work stops being "free" and starts carrying moral weight. Once you see others treating the craft like a vocation, you’re forced to choose: stay a tourist, or join the working class of art.
That’s what makes the line land. Acting is often mythologized as either divine calling or cynical hustle. Berenger offers a third lane: professionalism as contagious behavior. You walk into a rehearsal room expecting low stakes, and the room corrects you. The subtext is both chastening and democratizing. Seriousness isn’t reserved for the famous or the formally trained; it’s practiced by the people around you, many of whom may never be rewarded for it. Their commitment shames the dilettante out of you.
Context matters, too. Early-stage theater and off-the-grid gigs have long run on unpaid labor, a cultural economy where passion is both currency and trap. Berenger isn’t romanticizing that exploitation; he’s documenting the moment when unpaid work stops being "free" and starts carrying moral weight. Once you see others treating the craft like a vocation, you’re forced to choose: stay a tourist, or join the working class of art.
Quote Details
| Topic | Work Ethic |
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