"With my wife I don't get no respect. I made a toast on her birthday to 'the best woman a man ever had.' The waiter joined me"
About this Quote
Dangerfield’s genius is how he turns marital intimacy into a public referendum on his worth. The setup is almost tender: a husband raising a birthday toast, trying to certify love in the ritual language of “the best woman a man ever had.” Then he detonates it with a tiny social intrusion: “The waiter joined me.” The laugh lands because the humiliation isn’t shouted; it’s casually validated by a stranger, as if the whole room has been waiting for confirmation that this guy is, once again, beneath consideration.
The intent is classic Dangerfield: self-deprecation as an engine, not a confession. He’s not really telling you his wife is unfaithful or that the waiter is sleazy; he’s sketching a universe where even his attempt at sentiment gets interpreted as an open invitation. The subtext is that respect is a social currency, and he’s permanently overdrawn. His marriage becomes less a relationship than a stage where status gets measured and found lacking.
Context matters: Dangerfield’s “no respect” persona thrived in a late-20th-century comedy scene that mined domestic life for punchlines, but his twist is that he isn’t the put-upon breadwinner demanding gratitude. He’s the guy so transparently low-status that authority figures, service workers, even the script of romance itself, feel licensed to step on him. The waiter joining the toast isn’t just an insult; it’s the world agreeing, instantly, that Dangerfield’s private life is public property.
The intent is classic Dangerfield: self-deprecation as an engine, not a confession. He’s not really telling you his wife is unfaithful or that the waiter is sleazy; he’s sketching a universe where even his attempt at sentiment gets interpreted as an open invitation. The subtext is that respect is a social currency, and he’s permanently overdrawn. His marriage becomes less a relationship than a stage where status gets measured and found lacking.
Context matters: Dangerfield’s “no respect” persona thrived in a late-20th-century comedy scene that mined domestic life for punchlines, but his twist is that he isn’t the put-upon breadwinner demanding gratitude. He’s the guy so transparently low-status that authority figures, service workers, even the script of romance itself, feel licensed to step on him. The waiter joining the toast isn’t just an insult; it’s the world agreeing, instantly, that Dangerfield’s private life is public property.
Quote Details
| Topic | Husband & Wife |
|---|---|
| Source | Help us find the source |
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