"Words, like nature, half reveal and half conceal the soul within"
About this Quote
Language is never just a window; it is also a curtain. Tennyson’s line pivots on that uneasy duality, treating words the way Victorians treated the natural world: as something at once legible and mysterious, patterned and unfathomable. The neat balance of “half reveal and half conceal” does more than sound aphoristic. It stages a moral drama in miniature: expression is always compromised by the very medium meant to deliver it.
The simile “like nature” is doing heavy lifting. In Tennyson’s century, nature was being newly systematized by science while still haunted by romantic awe. To say words behave like nature suggests that speech and writing can be studied, classified, even polished into eloquence - yet they keep a residue that refuses capture. The “soul within” is not simply private feeling; it’s the self as something deeper than social performance, and therefore always partly inaccessible. Victorian decorum, religious doubt, and the era’s obsession with sincerity make that tension feel lived rather than abstract: you’re expected to speak beautifully, but not too nakedly; to confess, but in a coded way.
The line also smuggles in a warning about interpretation. If words inherently conceal, then the reader is always at risk of mistaking surface clarity for inner truth. Tennyson, a poet of public occasion and private grief, offers a compact defense of poetry’s obliqueness: not evasiveness for its own sake, but fidelity to the fact that the self cannot be fully said, only approached.
The simile “like nature” is doing heavy lifting. In Tennyson’s century, nature was being newly systematized by science while still haunted by romantic awe. To say words behave like nature suggests that speech and writing can be studied, classified, even polished into eloquence - yet they keep a residue that refuses capture. The “soul within” is not simply private feeling; it’s the self as something deeper than social performance, and therefore always partly inaccessible. Victorian decorum, religious doubt, and the era’s obsession with sincerity make that tension feel lived rather than abstract: you’re expected to speak beautifully, but not too nakedly; to confess, but in a coded way.
The line also smuggles in a warning about interpretation. If words inherently conceal, then the reader is always at risk of mistaking surface clarity for inner truth. Tennyson, a poet of public occasion and private grief, offers a compact defense of poetry’s obliqueness: not evasiveness for its own sake, but fidelity to the fact that the self cannot be fully said, only approached.
Quote Details
| Topic | Poetry |
|---|---|
| Source | In Memoriam A.H.H., Alfred Lord Tennyson, 1850 — line appears in the poem commonly anthologized from Tennyson's In Memoriam. |
More Quotes by Alfred
Add to List





