"Writing is a form of therapy; sometimes I wonder how all those who do not write, compose or paint can manage to escape the madness, melancholia, the panic and fear which is inherent in a human situation"
About this Quote
Greene frames art less as a luxury than as a pressure valve: if you do not write, paint, or compose, how do you keep the interior weather from turning lethal? The line works because it refuses the comforting myth of the serene, well-adjusted human. Instead, it treats “madness, melancholia, the panic and fear” as baseline conditions baked into consciousness itself. Art isn’t an ornament on life; it’s one of the few socially acceptable ways to metabolize dread.
The sly pivot is in “sometimes I wonder.” Greene isn’t boasting about the writer’s special sensitivity; he’s feigning genuine bafflement at the non-artist’s survival strategies. That faint incredulity doubles as a provocation: maybe the rest of society is coping through denial, distraction, drink, routine, religion, or the kind of busyness that looks like stability until it doesn’t. The subtext is both generous and accusatory. Artists aren’t saints, but they are at least facing the darkness with a method.
Context matters: Greene’s work is saturated with moral anxiety, political unease, and the shadow of Catholic guilt, and he lived through the churn of the 20th century’s wars and ideological wreckage. In that landscape, “therapy” isn’t a self-help cliche; it’s a survival claim. By calling the human situation inherently fearful, Greene flips the usual narrative: it’s not that artists are broken and therefore create, it’s that humans are precarious and therefore must find forms - sentences, scenes, images - to keep from splintering.
The sly pivot is in “sometimes I wonder.” Greene isn’t boasting about the writer’s special sensitivity; he’s feigning genuine bafflement at the non-artist’s survival strategies. That faint incredulity doubles as a provocation: maybe the rest of society is coping through denial, distraction, drink, routine, religion, or the kind of busyness that looks like stability until it doesn’t. The subtext is both generous and accusatory. Artists aren’t saints, but they are at least facing the darkness with a method.
Context matters: Greene’s work is saturated with moral anxiety, political unease, and the shadow of Catholic guilt, and he lived through the churn of the 20th century’s wars and ideological wreckage. In that landscape, “therapy” isn’t a self-help cliche; it’s a survival claim. By calling the human situation inherently fearful, Greene flips the usual narrative: it’s not that artists are broken and therefore create, it’s that humans are precarious and therefore must find forms - sentences, scenes, images - to keep from splintering.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Graham
Add to List






