"Yeah, it's tough being smart and sexy, too. I have to say, I'm really not that attractive. Until I met my husband, I could not get a date. I promise you it's true. My husband Jeff Richmond saw a diamond in the rough and took me in"
About this Quote
Tina Fey delivers self-deprecation the way a magician palms a coin: you watch the “I’m not that attractive” and miss the flex hiding in plain sight. The opening line, “it’s tough being smart and sexy,” is a parody of celebrity complaint culture - the humblebrag as performance art. She mocks the idea that a woman has to apologize for having both a brain and a body, then undercuts the whole premise by pretending she has neither. That whiplash is the joke, but it’s also the point: women in comedy learn early that confidence gets read as arrogance, and attractiveness gets treated like a disqualifier for seriousness. Fey preempts the backlash by roasting herself before anyone else can.
The “could not get a date” claim isn’t meant as a factual history; it’s a comic alibi. It plays into the “awkward striver” persona that made her palatable in a culture that still expects female funny to arrive with a side of modesty. Calling herself a “diamond in the rough” lands as romantic gratitude, but it also smuggles in a critique: the roughness is part of the value. She’s not selling a makeover narrative; she’s selling specificity - ambition, sharpness, odd angles.
Naming her husband, Jeff Richmond, and framing him as the one who “took me in” flips the usual celebrity couple script. Instead of “he won me,” it’s “he recognized me.” The subtext is power disguised as bashfulness: Fey gets to control the story, disarm the room, and remind you she’s in on every gaze pointed her way.
The “could not get a date” claim isn’t meant as a factual history; it’s a comic alibi. It plays into the “awkward striver” persona that made her palatable in a culture that still expects female funny to arrive with a side of modesty. Calling herself a “diamond in the rough” lands as romantic gratitude, but it also smuggles in a critique: the roughness is part of the value. She’s not selling a makeover narrative; she’s selling specificity - ambition, sharpness, odd angles.
Naming her husband, Jeff Richmond, and framing him as the one who “took me in” flips the usual celebrity couple script. Instead of “he won me,” it’s “he recognized me.” The subtext is power disguised as bashfulness: Fey gets to control the story, disarm the room, and remind you she’s in on every gaze pointed her way.
Quote Details
| Topic | Husband & Wife |
|---|---|
| Source | Help us find the source |
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