"You was a good man, and did good things"
About this Quote
Hardy’s line lands with the thud of plain speech, and that’s the trick: its grammar is “wrong” in a way that feels morally right. “You was” isn’t just rustic flavoring; it’s a signal that judgment here doesn’t belong to polished institutions or educated narrators. It comes from the vernacular world Hardy loved and mourned, where people are assessed by witness and memory, not by the elegant sentences of those with power.
The repetition - “good man” and “did good things” - refuses grand abstractions. Hardy doesn’t let “goodness” float off into theology or reputation. He pins it to actions, to the measurable, to what can be recalled by someone who knew you close-up. At the same time, the simplicity reads like a fragile defense against the mess Hardy’s novels are famous for: the way decent intentions crash into class, chance, sex, law, and social cruelty. When fate and society grind people down, a clean moral verdict becomes both consolation and protest.
There’s also a quiet tension in “good.” Hardy rarely lets goodness save anyone. He’s skeptical of cosmic fairness, and that skepticism hums under the sentence: if a man can be good and still be undone, then the line is less a eulogy than an indictment of the world that required saying it. The speaker’s plainness becomes a kind of ethical authority, insisting - almost stubbornly - that a life can be tallied in deeds even when the universe won’t provide the appropriate reward.
The repetition - “good man” and “did good things” - refuses grand abstractions. Hardy doesn’t let “goodness” float off into theology or reputation. He pins it to actions, to the measurable, to what can be recalled by someone who knew you close-up. At the same time, the simplicity reads like a fragile defense against the mess Hardy’s novels are famous for: the way decent intentions crash into class, chance, sex, law, and social cruelty. When fate and society grind people down, a clean moral verdict becomes both consolation and protest.
There’s also a quiet tension in “good.” Hardy rarely lets goodness save anyone. He’s skeptical of cosmic fairness, and that skepticism hums under the sentence: if a man can be good and still be undone, then the line is less a eulogy than an indictment of the world that required saying it. The speaker’s plainness becomes a kind of ethical authority, insisting - almost stubbornly - that a life can be tallied in deeds even when the universe won’t provide the appropriate reward.
Quote Details
| Topic | Kindness |
|---|---|
| Source | Unverified source: The Woodlanders (Thomas Hardy, 1887)
Evidence: Chapter XLVIII (final chapter). The line appears as the closing words of the novel, spoken by the character Marty South in her lament over Giles Winterborne’s grave: “…for you was a GOOD man, and did good things!” (dialectal grammar often gets normalized online to “You was…”). The novel was first... Other candidates (2) The Art of Thomas Hardy (Lionel Johnson, John Lane, 1895) compilation95.0% ... you was a good man , and did good things ! " ' None but a great artist could have closed his work thus perfectly ... Thomas Hardy (Thomas Hardy) compilation44.4% he was considered rather a bad man when they were pleased he was rather a good |
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