"You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp"

Marguerite Moreau paints a vivid picture of the filmmaking process during a different era, where resources were more limited and simplicity reigned over modern convenience. Rising at five in the morning suggests not only the dedication required from those involved, but also hints at the grueling nature of the work. The dawn hours are often associated with starting fresh, ambition, and the sacrifices creatives make to bring a vision to life.

The reference to riding in a caravan evokes a sense of communal effort and adventure. Instead of being isolated in luxurious trailers or having access to customized movie trucks that today’s productions often rely upon, cast and crew traveled together, reinforcing the sense of togetherness and shared purpose. The use of "caravan" recalls imagery of journeys from classic adventure stories, perhaps even drawing a parallel between storytelling onscreen and the real-life journey of its creators. By forgoing the 'hardware of a movie camp,' her words emphasize the lack of modern amenities. It implies that filmmaking was more stripped-down, reliant on the ingenuity and resourcefulness of those involved.

There is a certain nostalgia, maybe even pride, in recalling a time before big budgets and specialized equipment. The challenges faced seem to have built camaraderie, a sense of creative resilience, and a deep connection to the craft. It suggests that the filmmaking experience was not just about technical achievement, but about forming bonds, improvising, and enduring together in pursuit of art.

Moreau’s recollection serves as a reminder of the foundational elements of filmmaking: passion, human connection, and adaptability. By highlighting the absence of comfort and convenience, she draws attention to the heart and effort that propelled those early productions. The work may have been arduous, but that effort became an essential ingredient in the story being told, both behind and in front of the camera.