"You're talking to somebody who two years ago couldn't figure out how to use e-mail and who now has carpal tunnel. It has totally changed in that these films would not be getting out to people the way they're getting out without the Internet"

In this quote, Robert Greenwald reviews the considerable and transformative effect of the Internet on the dissemination of movies, particularly documentaries. Greenwald, a filmmaker known for producing politically charged documentaries, highlights his personal journey from a digital beginner to someone deeply engaged with online platforms, to the extent of experiencing carpal tunnel syndrome-- a condition typically associated with substantial computer system use. This development underscores not only his individual adjustment to the digital age but likewise emphasizes the necessity of welcoming innovation to reach wider audiences.

The mention of his initial struggle with email suggests a prior disconnect or resistance to technology, which lots of people, particularly from older generations, might associate with. His subsequent development of carpal tunnel syndrome implicitly shows regular and intensive computer system use, illustrating his deep dive into the digital world. This juxtaposition serves as a testimony to how the demands of modern communication and content distribution have actually evolved.

Furthermore, Greenwald credits the Internet with revolutionizing the reach and impact of independent films. Typically, filmmakers depend on theaters, festivals, and television networks to distribute their work, which frequently provided substantial barriers in regards to cost and availability. The Internet, however, democratizes content dissemination, allowing developers to bypass conventional gatekeepers and engage directly with international audiences. This shift not just expands the scope of possible audiences but likewise empowers creators to wield more control over the circulation of their work.

By reflecting on his individual technological journey and its implications for film circulation, Greenwald highlights the wider narrative of how digital tools are improving industries. The Internet, as he notes, has not just assisted in greater ease of access and democratization of material but has basically altered how narratives are shared, taken in, and valued in the contemporary world.