Play: A Lie of the Mind
Overview
A Lie of the Mind centers on the aftermath of domestic violence and the tangled loyalties that bind two American families. The play follows a fractured marriage that erupts into physical and psychological trauma, and then traces the ripple effects as loved ones grapple with culpability, memory, and the need for connection. Sam Shepard blends brutal realism with moments of lyrical vulnerability to probe how violent acts reverberate through private lives and family narratives.
Plot
The story opens after a violent incident between a husband and wife leaves one of them physically and mentally altered. The injured partner returns to her family to recover, while the husband drifts through a separate orbit of relatives and old wounds. Much of the drama unfolds in a series of encounters and confrontations: hospital rooms, family homes, roadside interludes and late-night conversations. As scenes move between the two households, secrets and resentments come to light and revenge, tenderness, and denial vie for control.
The play does not rely on a single straightforward arc so much as on accumulative pressure. Scenes that appear domestic and quotidian can become explosive; moments of intimacy are intercut with bursts of violence and surreal digressions. Shepard allows characters to repeat, contradict, and reframe their experiences, so truth and memory shift under the weight of emotion.
Characters
At the center are the injured wife and her husband, whose names and histories surface in fragments rather than exhaustive exposition. Surrounding them are mothers and fathers, brothers and lovers who reflect different forms of care and cruelty. Each family member carries a piece of the central rupture: protectiveness that hardens into vengeance, denial that fractures into confession, and loyalty that oscillates between compassion and self-preservation.
The play gives substantial attention to relatives who try to mediate or punish, to friends who observe without intervening, and to those who are left to reckon privately with guilt and longing. Relationships are sketched in raw, immediate strokes rather than neat psychological case histories, making the characters feel both archetypal and narrowly human.
Themes
Family dysfunction is the play's core engine, examined through cycles of abuse, retribution, and care. Trauma appears as both a physical wound and a stuttering narrative, memory itself becomes a battleground where people argue over what really happened and what it meant. Shepard interrogates the limits of empathy: how much can one person bear for another, and when does protective devotion become a different form of violence?
Redemptive love threads through the darkness without offering easy salvation. Moments of tenderness suggest that repair is possible but precarious; forgiveness is presented as an act that may require confronting ugly truths rather than erasing them. The tension between mythic, macho notions of honor and the fragile needs of intimate human beings runs across the play, complicating any tidy moral judgment.
Style and Structure
Shepard's language mixes spare, colloquial dialogue with poetic, elliptical asides. Scenes slide between realistic detail and dreamlike detours, producing a sense that the past is being reassembled out of shards. The dramaturgy often relies on repetition and displacement, lines and images return altered, casting new light on earlier moments.
Staging typically emphasizes raw, elemental settings: kitchens, living rooms, hospital wards, and roadside landscapes that echo the characters' interior desolation. Violence and tenderness are presented without sensationalism; what shocks is the proximity of care to harm and the ordinary rhythms that precede catastrophe.
Legacy
A Lie of the Mind is frequently cited as one of Shepard's most emotionally charged plays, notable for its unflinching look at the consequences of intimate violence and its compassionate, if uncompromising, portrait of broken families. It resists tidy resolution, leaving audiences to sit with the ambiguity of love and the stubborn persistence of human connection amid ruin.
A Lie of the Mind centers on the aftermath of domestic violence and the tangled loyalties that bind two American families. The play follows a fractured marriage that erupts into physical and psychological trauma, and then traces the ripple effects as loved ones grapple with culpability, memory, and the need for connection. Sam Shepard blends brutal realism with moments of lyrical vulnerability to probe how violent acts reverberate through private lives and family narratives.
Plot
The story opens after a violent incident between a husband and wife leaves one of them physically and mentally altered. The injured partner returns to her family to recover, while the husband drifts through a separate orbit of relatives and old wounds. Much of the drama unfolds in a series of encounters and confrontations: hospital rooms, family homes, roadside interludes and late-night conversations. As scenes move between the two households, secrets and resentments come to light and revenge, tenderness, and denial vie for control.
The play does not rely on a single straightforward arc so much as on accumulative pressure. Scenes that appear domestic and quotidian can become explosive; moments of intimacy are intercut with bursts of violence and surreal digressions. Shepard allows characters to repeat, contradict, and reframe their experiences, so truth and memory shift under the weight of emotion.
Characters
At the center are the injured wife and her husband, whose names and histories surface in fragments rather than exhaustive exposition. Surrounding them are mothers and fathers, brothers and lovers who reflect different forms of care and cruelty. Each family member carries a piece of the central rupture: protectiveness that hardens into vengeance, denial that fractures into confession, and loyalty that oscillates between compassion and self-preservation.
The play gives substantial attention to relatives who try to mediate or punish, to friends who observe without intervening, and to those who are left to reckon privately with guilt and longing. Relationships are sketched in raw, immediate strokes rather than neat psychological case histories, making the characters feel both archetypal and narrowly human.
Themes
Family dysfunction is the play's core engine, examined through cycles of abuse, retribution, and care. Trauma appears as both a physical wound and a stuttering narrative, memory itself becomes a battleground where people argue over what really happened and what it meant. Shepard interrogates the limits of empathy: how much can one person bear for another, and when does protective devotion become a different form of violence?
Redemptive love threads through the darkness without offering easy salvation. Moments of tenderness suggest that repair is possible but precarious; forgiveness is presented as an act that may require confronting ugly truths rather than erasing them. The tension between mythic, macho notions of honor and the fragile needs of intimate human beings runs across the play, complicating any tidy moral judgment.
Style and Structure
Shepard's language mixes spare, colloquial dialogue with poetic, elliptical asides. Scenes slide between realistic detail and dreamlike detours, producing a sense that the past is being reassembled out of shards. The dramaturgy often relies on repetition and displacement, lines and images return altered, casting new light on earlier moments.
Staging typically emphasizes raw, elemental settings: kitchens, living rooms, hospital wards, and roadside landscapes that echo the characters' interior desolation. Violence and tenderness are presented without sensationalism; what shocks is the proximity of care to harm and the ordinary rhythms that precede catastrophe.
Legacy
A Lie of the Mind is frequently cited as one of Shepard's most emotionally charged plays, notable for its unflinching look at the consequences of intimate violence and its compassionate, if uncompromising, portrait of broken families. It resists tidy resolution, leaving audiences to sit with the ambiguity of love and the stubborn persistence of human connection amid ruin.
A Lie of the Mind
The play follows two families who are connected through a violent incident involving the husbands in a troubled marriage. The story explores themes of family dysfunction, trauma, and redemptive love.
- Publication Year: 1985
- Type: Play
- Genre: Drama
- Language: English
- Awards: New York Drama Critics' Circle Award for Best Play
- Characters: Jake, Beth, Baylor, Meg, Frankie, Sally, Lorraine, Mike
- View all works by Sam Shepard on Amazon
Author: Sam Shepard

More about Sam Shepard
- Occup.: Playwright
- From: USA
- Other works:
- Curse of the Starving Class (1978 Play)
- Buried Child (1978 Play)
- True West (1980 Play)
- Fool for Love (1983 Play)
- Paris, Texas (1984 Screenplay)