Learning to Fly: Trapeze - Reflections on Fear, Trust, and the Joy of Letting Go
Overview
Sam Keen uses his initiation into the trapeze as a vivid frame for exploring fear, trust, and the liberating power of letting go. He recounts first-hand episodes of trembling on the platform, learning to swing, and the exhilarating moment of release when the bar slips from his hands and he finds himself airborne. These concrete circus scenes are paired with contemplative passages that connect physical risk to emotional and spiritual risk, suggesting that learning to "fly" is a universal rite of passage toward fuller living.
Keen's voice is conversational, introspective, and gently persuasive. He balances practical description of trapeze practice, teachers, partners, safety nets, with broader reflections drawn from psychology, myth, and personal history. The result reads like a memoir crossed with a philosophical guide: a series of invitations to reexamine how fear constrains, how trust frees, and how surrender can be a source of joy rather than defeat.
Main Themes
Fear is presented not as an enemy to be eradicated but as a truthful signal that can be acknowledged and moved through. Keen traces how fear manifests physically and mentally, how it tightens muscles and narrows perception, and how naming fear is the first step toward loosening its grip. He argues that courage is not absence of fear but choosing motion in spite of it.
Trust and interdependence are central. The circus partner who catches the flyer becomes a metaphor for the people who hold us in life, friends, lovers, teachers, therapists. Keen explores the vulnerability required to rely on others and the paradoxical strength that emerges when one allows oneself to be supported. Trust is depicted as a skill cultivated by repetition, communication, and small acts of letting go.
Surrender and joy intertwine as final themes. Letting go of rigid control does not mean passivity; it means an active decision to release the illusion of total command and to participate in a larger flow. In that release, Keen finds exhilaration and a renewed capacity for intimacy, creativity, and meaning. The book suggests that the most authentic pleasures in life often arrive on the other side of risk.
Structure and Style
The narrative unfolds through short, vivid episodes interspersed with reflective essays. Anecdotes from training sessions and performances are followed by meditative passages that draw connections to childhood memories, romantic relationships, and spiritual practices. This alternating rhythm keeps the reader grounded in the physicality of the trapeze while allowing contemplative leaps into universal concerns.
Keen's prose is accessible and evocative, mixing wry humor with earnestness. He avoids technical jargon, favoring sensory detail and metaphor. The tone is encouraging rather than doctrinaire: he does not prescribe a single path but offers personal exemplars and questions intended to provoke the reader's own exploration.
Key Insights and Takeaways
Small, deliberate practices can recalibrate the body's reflexes and the mind's narratives about danger and possibility. Rehearsal and repetition teach trust as much as instruction does. The presence of a reliable partner, or a network of support, makes risk manageable and transforms isolated courage into communal achievement.
Emotional honesty and clear communication are practical necessities, not just moral virtues. Saying what one feels, naming fear, and negotiating responsibilities mirror the simple procedural work of securing rigging and timing releases. Spiritual growth is portrayed as an embodied process: not merely an abstract acceptance of uncertainty but an integration of heart, muscle, and will.
Conclusion
The trapeze becomes a living metaphor for change: to fly requires leaving the familiar bar, entering motion, and trusting that the catch will come. Keen offers a compassionate philosophy that honors both trepidation and the human appetite for joy. The book invites readers to see risk as a teacher, trust as a cultivated muscle, and letting go as a pathway toward richer relationships and deeper freedom.
Sam Keen uses his initiation into the trapeze as a vivid frame for exploring fear, trust, and the liberating power of letting go. He recounts first-hand episodes of trembling on the platform, learning to swing, and the exhilarating moment of release when the bar slips from his hands and he finds himself airborne. These concrete circus scenes are paired with contemplative passages that connect physical risk to emotional and spiritual risk, suggesting that learning to "fly" is a universal rite of passage toward fuller living.
Keen's voice is conversational, introspective, and gently persuasive. He balances practical description of trapeze practice, teachers, partners, safety nets, with broader reflections drawn from psychology, myth, and personal history. The result reads like a memoir crossed with a philosophical guide: a series of invitations to reexamine how fear constrains, how trust frees, and how surrender can be a source of joy rather than defeat.
Main Themes
Fear is presented not as an enemy to be eradicated but as a truthful signal that can be acknowledged and moved through. Keen traces how fear manifests physically and mentally, how it tightens muscles and narrows perception, and how naming fear is the first step toward loosening its grip. He argues that courage is not absence of fear but choosing motion in spite of it.
Trust and interdependence are central. The circus partner who catches the flyer becomes a metaphor for the people who hold us in life, friends, lovers, teachers, therapists. Keen explores the vulnerability required to rely on others and the paradoxical strength that emerges when one allows oneself to be supported. Trust is depicted as a skill cultivated by repetition, communication, and small acts of letting go.
Surrender and joy intertwine as final themes. Letting go of rigid control does not mean passivity; it means an active decision to release the illusion of total command and to participate in a larger flow. In that release, Keen finds exhilaration and a renewed capacity for intimacy, creativity, and meaning. The book suggests that the most authentic pleasures in life often arrive on the other side of risk.
Structure and Style
The narrative unfolds through short, vivid episodes interspersed with reflective essays. Anecdotes from training sessions and performances are followed by meditative passages that draw connections to childhood memories, romantic relationships, and spiritual practices. This alternating rhythm keeps the reader grounded in the physicality of the trapeze while allowing contemplative leaps into universal concerns.
Keen's prose is accessible and evocative, mixing wry humor with earnestness. He avoids technical jargon, favoring sensory detail and metaphor. The tone is encouraging rather than doctrinaire: he does not prescribe a single path but offers personal exemplars and questions intended to provoke the reader's own exploration.
Key Insights and Takeaways
Small, deliberate practices can recalibrate the body's reflexes and the mind's narratives about danger and possibility. Rehearsal and repetition teach trust as much as instruction does. The presence of a reliable partner, or a network of support, makes risk manageable and transforms isolated courage into communal achievement.
Emotional honesty and clear communication are practical necessities, not just moral virtues. Saying what one feels, naming fear, and negotiating responsibilities mirror the simple procedural work of securing rigging and timing releases. Spiritual growth is portrayed as an embodied process: not merely an abstract acceptance of uncertainty but an integration of heart, muscle, and will.
Conclusion
The trapeze becomes a living metaphor for change: to fly requires leaving the familiar bar, entering motion, and trusting that the catch will come. Keen offers a compassionate philosophy that honors both trepidation and the human appetite for joy. The book invites readers to see risk as a teacher, trust as a cultivated muscle, and letting go as a pathway toward richer relationships and deeper freedom.
Learning to Fly: Trapeze - Reflections on Fear, Trust, and the Joy of Letting Go
Sam Keen reflects on his experiences learning the art of trapeze and relates the lessons he learned to life, relationships, and spirituality. As a metaphor for embracing change, facing fears, and finding trust in oneself and others, the book explores how taking risks and letting go can lead to joy and personal growth.
- Publication Year: 1999
- Type: Book
- Genre: Memoir, Non-Fiction
- Language: English
- View all works by Sam Keen on Amazon
Author: Sam Keen

More about Sam Keen
- Occup.: Author
- From: USA
- Other works:
- Faces of the Enemy: Reflections of the Hostile Imagination (1986 Book)
- Fire in the Belly: On Being a Man (1991 Book)
- The Passionate Life: Stages of Loving (1993 Book)
- To Love and Be Loved (1996 Book)
- Sightings: Extraordinary Encounters with Ordinary Birds (2005 Book)