Essay: Mixed Essays
Overview
"Mixed Essays" (1879) gathers a range of Matthew Arnold's critical writings that address literature, education, and public life with characteristic moral seriousness and intellectual exactness. The pieces move between close readings of literary expression and broader reflections on social and cultural conditions, offering sustained judgments about what a cultivated society needs to flourish. Arnold writes as a public critic concerned less with partisan politics than with the formation of taste, the responsibilities of education, and the moral stamina of a people.
The essays are unified by a conviction that culture, the study and appreciation of "the best that has been thought and said", serves as a moderating, humanizing force amid social change. Arnold balances a candid critique of contemporary shortcomings with an insistence on the shaping power of literature and critical intelligence, arguing that aesthetic judgment and moral seriousness are indispensable to national life.
Central themes
A persistent theme is the role of criticism as a disinterested, corrective force. Arnold argues that criticism should aim to elevate public taste by clarifying standards, distinguishing excellence from mediocrity, and cultivating a temper of objectivity. This critical ideal resists both crude utilitarianism and narrow partisanship, insisting instead on a steady pursuit of truth and beauty that can guide education and public discourse alike.
Education and the moral effects of schooling receive sustained attention. Arnold laments fashionable educational trends that prioritize mere information or vocational training at the expense of formative cultivation. He champions a liberal, humanistic formation that teaches judgment, sympathy, and a sense of proportion, qualities he sees as essential to civic health. Closely tied to this is a concern about social fragmentation: industrialization, materialism, and sectarianism threaten common cultural life, and culture must therefore act as a unifying and civilizing influence.
Literary criticism is both a model and a means for broader cultural repair. Arnold reads poetry and prose with sensitivity to tone, style, and moral imagination, using literary judgment to illuminate how exemplary works shape conscience and thought. While attentive to aesthetic detail, the essays repeatedly stress literature's ethical implications, how great writing refines sensibility, corrects distortions, and sustains an inner citadel against the dehumanizing effects of modern life.
Style and legacy
Arnold's prose combines clarity, epigrammatic firmness, and a tone of earnest authority. He favors balanced, concise sentences and a critical voice that aims to persuade through calm reason rather than invective. The essays exemplify a Victorian ideal of the public intellectual who lectures, instructs, and moralizes with restraint, seeking to influence taste by example and argument rather than by coercion.
The collection helped consolidate Arnold's reputation as a leading cultural critic of his era, and many of its arguments seeded later debates about the purpose of education, the social function of criticism, and the place of culture in democratic life. While later readers sometimes find his stance elitist or overly prescriptive, the essays remain a significant articulation of the belief that intellectual cultivation and aesthetic sensitivity are central to a humane and stable society.
"Mixed Essays" (1879) gathers a range of Matthew Arnold's critical writings that address literature, education, and public life with characteristic moral seriousness and intellectual exactness. The pieces move between close readings of literary expression and broader reflections on social and cultural conditions, offering sustained judgments about what a cultivated society needs to flourish. Arnold writes as a public critic concerned less with partisan politics than with the formation of taste, the responsibilities of education, and the moral stamina of a people.
The essays are unified by a conviction that culture, the study and appreciation of "the best that has been thought and said", serves as a moderating, humanizing force amid social change. Arnold balances a candid critique of contemporary shortcomings with an insistence on the shaping power of literature and critical intelligence, arguing that aesthetic judgment and moral seriousness are indispensable to national life.
Central themes
A persistent theme is the role of criticism as a disinterested, corrective force. Arnold argues that criticism should aim to elevate public taste by clarifying standards, distinguishing excellence from mediocrity, and cultivating a temper of objectivity. This critical ideal resists both crude utilitarianism and narrow partisanship, insisting instead on a steady pursuit of truth and beauty that can guide education and public discourse alike.
Education and the moral effects of schooling receive sustained attention. Arnold laments fashionable educational trends that prioritize mere information or vocational training at the expense of formative cultivation. He champions a liberal, humanistic formation that teaches judgment, sympathy, and a sense of proportion, qualities he sees as essential to civic health. Closely tied to this is a concern about social fragmentation: industrialization, materialism, and sectarianism threaten common cultural life, and culture must therefore act as a unifying and civilizing influence.
Literary criticism is both a model and a means for broader cultural repair. Arnold reads poetry and prose with sensitivity to tone, style, and moral imagination, using literary judgment to illuminate how exemplary works shape conscience and thought. While attentive to aesthetic detail, the essays repeatedly stress literature's ethical implications, how great writing refines sensibility, corrects distortions, and sustains an inner citadel against the dehumanizing effects of modern life.
Style and legacy
Arnold's prose combines clarity, epigrammatic firmness, and a tone of earnest authority. He favors balanced, concise sentences and a critical voice that aims to persuade through calm reason rather than invective. The essays exemplify a Victorian ideal of the public intellectual who lectures, instructs, and moralizes with restraint, seeking to influence taste by example and argument rather than by coercion.
The collection helped consolidate Arnold's reputation as a leading cultural critic of his era, and many of its arguments seeded later debates about the purpose of education, the social function of criticism, and the place of culture in democratic life. While later readers sometimes find his stance elitist or overly prescriptive, the essays remain a significant articulation of the belief that intellectual cultivation and aesthetic sensitivity are central to a humane and stable society.
Mixed Essays
A collection of essays on a range of topics, including literature, society, and education, demonstrating Arnold's persistent engagement with cultural and moral questions facing Victorian Britain.
- Publication Year: 1879
- Type: Essay
- Genre: Essay, Literary Criticism
- Language: en
- View all works by Matthew Arnold on Amazon
Author: Matthew Arnold
Matthew Arnold, Victorian poet, critic, and school inspector, author of Dover Beach and Culture and Anarchy.
More about Matthew Arnold
- Occup.: Poet
- From: England
- Other works:
- The Strayed Reveller and Other Poems (1849 Poetry)
- Empedocles on Etna, and Other Poems (1852 Poetry)
- The Scholar-Gipsy (1853 Poetry)
- Sohrab and Rustum (1853 Poetry)
- Poems (1853 Collection)
- On Translating Homer (1861 Essay)
- Thyrsis (1865 Poetry)
- Essays in Criticism (First Series) (1865 Essay)
- Dover Beach (1867 Poetry)
- New Poems (1867 Collection)
- Culture and Anarchy (1869 Essay)
- St. Paul and Protestantism (1870 Essay)
- Literature and Dogma (1873 Non-fiction)
- Essays in Criticism (Second Series) (1888 Essay)