Krzysztof Kieslowski Biography

Occup.Director
FromPoland
BornJune 27, 1941
DiedMarch 13, 1996
Aged54 years
Krzysztof Kieślowski was a prominent Polish movie director and film writer who was born on June 27, 1941, in Warsaw, Poland, and died on March 13, 1996, at the age of 54. With a profession spanning over 30 years, Kieślowski is best known for his mentally powerful, deeply reflective films that discussed the themes of humanity, spirituality, and also the facility moral framework of contemporary culture.

Kieślowski grew up in a working-class family throughout a turbulent time in Poland's background. His papa, Roman Kieślowski, was a theatre director, while his mother, Barbara Kieślowska, functioned as an instructor. He struggled with tuberculosis as a child which, incorporated with his family members's many movings, contributed to a tough childhood. Kieślowski signed up in the Łódź Film School in 1964, adhering to a job as a firefighter and also factory worker. At the movie institution, he examined under well-known Polish supervisors like Jerzy Wójcik and also Andrzej Wajda.

Kieślowski began his profession as a docudrama filmmaker during the 1970s, concentrating on the lives of everyday individuals in the middle of the background of Poland's rigid communist regimen. His early works were greatly affected by the Polish Film School, with their abrasive realism and dedication to auteurship. Some remarkable documentaries of this period consist of "Factory" (1970), "Hospital" (1976), and also "Railway Station" (1980).

Throughout the 1980s, Kieślowski transitioned to narrative films, recording international attention with the critical "Camera Buff" (1979). This comedy-drama discovered the effect of censorship on creative expression, a motif that deeply reverberated with Kieślowski, who usually encountered administrative obstacles in his own job. Kieślowski continued to explore styles of personal identity and also existential uncertainty in his next major job, the intimate as well as haunting "Blind Chance" (1981).

In 1988, Kieślowski's popularity escalated with the release of "A Short Film About Love" as well as "A Short Film About Killing." These movies were adaptations of episodes from his ten-part television series, "Dekalog," as well as checked out the moral obscurity of the Ten Commandments. The essential acclaim of these films catapulted Kieślowski right into the international spotlight, especially in France, where his work was championed by influential numbers such as director François Truffaut.

Kieślowski's huge accomplishment, nonetheless, featured the strong and also poignant "Three Colors" trilogy (1993-1994). This collection of movies - Blue, White, as well as Red - symbolized the French national slogan of "Liberty, Equality, and also Fraternity" as well as exposed Kieślowski as a master of visual narration. The trilogy included spectacular cinematography, expressive scores by Zbigniew Preisner, and thrilling performances by stars like Juliette Binoche as well as Irene Jacob.

Throughout his occupation, Kieślowski teamed up with a tight-knit team of creative experts, consisting of film writer Krzysztof Piesiewicz, cinematographer Sławomir Idziak, as well as composer Zbigniew Preisner, that would certainly end up being called the "Kieślowski School."

After his impressive accomplishments in the Three Colors trilogy, Kieślowski retired from filmmaking in 1994. He passed away all of a sudden in 1996, complying with heart surgical procedure in Warsaw. Krzysztof Kieślowski's tradition endures as a testament to the power of film as a medium for emotional resonance and also self-exploration, and his works remain to be commemorated as well as appreciated by cinephiles all over the world.

Our collection contains 12 quotes who is written / told by Krzysztof.

Related authors: Andrzej Wajda (Director), Julie Delpy (Actress), Lawrence Taylor (Athlete), Juliette Binoche (Actress)

12 Famous quotes by Krzysztof Kieslowski

Small: To tell you the truth, in my work, love is always in opposition to the elements. It creates dilemmas. I
"To tell you the truth, in my work, love is always in opposition to the elements. It creates dilemmas. It brings in suffering. We can't live with it, and we can't live without it. You'll rarely find a happy ending in my work"
Small: In believing too much in rationality, our contemporaries have lost something
"In believing too much in rationality, our contemporaries have lost something"
Small: Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the e
"Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory"
Small: I have no problem being with people of different nationalities
"I have no problem being with people of different nationalities"
Small: There are mysteries, secret zones in each individual
"There are mysteries, secret zones in each individual"
Small: Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painf
"Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one"
Small: In real life, there are names that surprise us because they dont seem to suit the person at all
"In real life, there are names that surprise us because they don't seem to suit the person at all"
Small: For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise - whatever
"For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise - whatever appeals to you"
Small: Were always looking at this love through the eyes of the person who is suffering because of this love
"We're always looking at this love through the eyes of the person who is suffering because of this love"
Small: The television industry doesnt like to see the compexity of the world. It prefers simple reporting, wit
"The television industry doesn't like to see the compexity of the world. It prefers simple reporting, with simple ideas: this is white, that's black; this is good, that's bad"
Small: Of course Id like to get beyond the concrete. But its really difficult. Very difficult
"Of course I'd like to get beyond the concrete. But it's really difficult. Very difficult"
Small: Do people really want liberty, equality, fraternity? Is it not some manner of speaking?
"Do people really want liberty, equality, fraternity? Is it not some manner of speaking?"