One A.M. (1916)

One A.M. Poster

A drunken homeowner has a difficult time getting about in his home after arriving home late at night.

Overview
"One A.M". is a highly innovative short quiet funny film from 1916, produced, composed, and directed by the legendary Charlie Chaplin, where he likewise stars as the primary and practically unique character. The film, with a period of about 34 minutes, comes from the early years of Chaplin's blossoming profession. The title of the film is especially entertaining as it suggests lots of intriguing possibilities however refers merely to the time by which the on-screen occasions start.

Genre and Style
Being real to Chaplin's love for slapstick comedy, "One A.M". deals both surreal and physical funny, depicting one man's struggles against the odds in an inanimate environment. There is no complex plotline, deeply complex character advancement, or remarkable dialogues. The motion picture is practically a one-man show with only a short appearance of another character, a cab driver in the start, who remains off-camera. Chaplin's proficiency of pantomime and quiet storytelling is essentially the whole movie's foundation.

Property and Storyline
In "One A.M.", Chaplin plays a slightly inebriated rich guy returning home after a night on the town. The main idea revolves around the protagonist's attempts to browse his opulent home while dealing with his drunk state. This apparently basic job becomes hilariously difficult due to his intoxication and the numerous obstacles in his path, consisting of a leopard carpet with a trap tongue, an unsteady table on roller skates, a swinging pendulum on a grandfather clock, and an elusive coat rack.

Cinematic and Performative Brilliance
The film is a magnificent display for Chaplin's clowning and acrobatic skills. His efficiency is an amazing screen of intoxicated ballet: he tumbles, rolls, sways, spins, and pratfalls while dealing with furniture and irregular footing. Launched during the silent age, this film strongly reflects how storytelling can be exceptionally compelling without spoken language.

Conclusion & Legacy
The brief movie reaches its comical climax when Chaplin eventually quits trying to climb his bed and sleeps on the floor, just to slide into the water fountain below the mezzanine flooring. It ends with an inventive twist of the neglected Murphy bed folding up with Chaplin still clutching onto it.

"One A.M.", with its easy narrative and Chaplin's unmatched physical clowning, is a renowned classic that shows how funny doesn't need to be complicated to be efficient. Despite its age, it continues to matter and studied in contemporary movie circles due to Chaplin's masterly performance and comic timing, making it one of the purest demonstrations of visual comedy in cinema history. The motion picture is a testimony to Chaplin's innovation and imagination, providing a window into the genius of among the best comedians of all time.

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