Album: Love All the Hurt Away

Introduction
"Love All the Hurt Away" is a soulful studio album by the legendary Queen of Soul, Aretha Franklin. Released in 1981, it was her second album for Arista Records and can be considered as among her most ambitious and successful albums of the age. The album showcases a varied variety of Franklin's musical styles, including gospel, R&B, and pop, and includes numerous collaborations with prominent artists and singers.

Album Background and Production
Following her historical profession with Atlantic Records, where she released a string of hit albums and songs, Aretha Franklin signed with Arista Records in 1980. She released her very first album under the new label, "Aretha", in 1980, which featured her return to the leading 10 with the single "United Together".

For "Love All the Hurt Away", Aretha Franklin teamed up with manufacturer Arif Mardin, who had formerly dealt with her on the 1974 album "Let Me in Your Life". The album product packaging includes Franklin on the cover, worn a stylish and advanced white dress, symbolizing the maturity and depth of the music she was providing to her fans. The album consists of ten tracks, with a mix of ballads, uptempo tunes, and classic soul tunes that display her raw, abundant, and effective singing capabilities.

Noteworthy Collaborations and Song Information
"Love All the Hurt Away" opens with the title track, a duet with the iconic British vocalist George Benson, which is a smooth and sultry R&B number penned by Sam Dees. The tune peaked at number 6 on the Billboard R&B chart, earning a Grammy election for Best R&B Performance by a Duo or Group with Vocals.

It also consists of "Hold On, I'm Comin'", a cover of the traditional 1966 Sam & Dave struck, in which Franklin includes her distinct vocal prowess, making it her own. Another standout track is "You Can't Always Get What You Want", a performance of the legendary Rolling Stones song, on which Franklin provides a stirring, bluesy efficiency.

The track "There's a Star for Everyone" includes a stunning gospel-infused piano ballad with lyrics that provide hope and support. In addition, the up-tempo "It's My Turn", composed by Michael Masser and Carole Bayer Sager, later on became a hit for Diana Ross when it was utilized as the style for the film of the exact same name.

Business Reception and Legacy
Upon its release, "Love All the Hurt Away" achieved reputable commercial success, peaking at number 36 on the United States Billboard 200 and number seven on the R&B Albums chart. While not as commercially effective as a few of Franklin's earlier tasks, the album showed her ability to adjust to a changing musical landscape and assisted solidify her place as a soul music icon.

In 1982, the album made Franklin her 11th Grammy award, winning the Best Female R&B Vocal Performance classification for the track "Hold On, I'm Comin'".

Conclusion
"Love All the Hurt Away" is not just an important piece of Aretha Franklin's illustrious career but likewise a testament to her extraordinary talent and strength as an artist. Throughout the album, Franklin perfectly combines different music genres while protecting the essence of her signature soulful noise.

The album stays a preferred amongst die-hard fans and music aficionados, acting as a gorgeous showcase of Franklin's unmatched ability as a vocalist and her capability to regularly captivate listeners with her powerful, emotive efficiencies.