Album: Requiem K626

Introduction
Requiem K626 is a timeless classical composition by Wolfgang Amadeus Mozart. The album, made up in 1791, was one of the last works Mozart developed prior to his death on December 5, 1791. Initially, it had been commissioned by Count Franz von Walsegg as a homage to his wife who had actually died. Even though the structure was left incomplete due to Mozart's death, the work was completed by his trainee Franz Xaver Süssmayr. Requiem K626 has since continued to interest music scholars and fans alike due to its sparkle, its terrible history, and the speculation surrounding its conclusion.

Structure and Composition
Requiem K626 consists of 14 motions, mostly written for a choir and orchestra. The structure is structurally based upon the Catholic Mass for the Dead, called a requiem, which was a type popularly utilized by composers during the Classical period. The 14 motions are divided into two sectors: the first section makes up movements 1 through 9 and is more constant with the conventional requiem format, while the 2nd segment contains motions 10 through 14.

The musical setting of the requiem is healthy, combining intense drama with superb tunes. The extensive beauty of the piece arises from its usage of abundant harmonies, intricate counterpoint, and striking text setting. Particularly emotive features of the structure consist of the contrasting strong and gentle qualities of its melodies, along with its varied tempi and textures.

Noteworthy Movements
Some of the crucial motions in Requiem K626 consist of:

1. Introitus: Opens with the choir singing the haunting, solemn tune "Requiem aeternam dona eis, Domine", accompanied by orchestra. This introduction sets the tone for the entire work.

2. Kyrie: A gripping double fugue based upon the "Requiem" and "Kyrie eleison" themes. It showcases Mozart's proficiency of counterpoint and is thought about one of the highlights of the piece.

3. Passes away Irae: A remarkable and effective motion characterized by its unrelenting, strong rhythms and orchestration. The choir and orchestra strongly communicate the scary image of the Day of Judgment.

4. Lacrimosa: This achingly stunning movement is especially significant, as it is thought that Mozart penned just the very first 8 steps prior to his death, and the rest was finished by Süssmayr.

Completion and Controversy
Mozart's unfortunate death left the Requiem K626 unfinished, and the conclusion of the work has actually been the subject of much argument amongst scholars. Süssmayr declared to have completed the composition based upon sketches and drafts left by Mozart. However, some musicologists have recommended that other composers might have had a hand in its completion, or that Süssmayr's efforts were not entirely loyal to Mozart's objectives.

Regardless of the debate surrounding its completion, Requiem K626 stands as an effective and moving musical work that showcases Mozart's extraordinary genius.

Legacy
Mozart's Requiem K626 remains a staple of the classical choral collection and is widely performed worldwide. Its sublime melodies, significant intensity, and terrible backstory continue to mesmerize audiences. Over the years, it has been featured in numerous films, tv series, and commercials, even more entrenching its position as a classic masterpiece. The album has actually also been tape-recorded by many popular conductors and ensembles, consisting of Leonard Bernstein, Herbert von Karajan, and the Berlin Philharmonic Orchestra among others, making it one of the most popular compositions of perpetuity.