"A dimple on the chin, the devil within"
About this Quote
A single facial feature becomes a moral X-ray: “A dimple on the chin, the devil within” works because it compresses an old clerical anxiety into a nursery-rhyme cadence. Pope Paul VI isn’t offering theology so much as social discipline dressed up as folk wisdom. The couplet snaps shut like a latch: once you accept the premise, you can “read” character off the body, no messy inquiry required.
Its intent is cautionary, but also managerial. A pope presiding over the turbulence of the 1960s and 70s - Vatican II’s aftershocks, the sexual revolution, mass media’s new charisma economy - would have watched appearances gain unprecedented power. The line functions as a preemptive strike against charm: the dimple, a culturally coded marker of attractiveness and approachability, becomes suspect precisely because it disarms. If holiness depends on vigilance, then seduction isn’t just erotic; it’s rhetorical, social, even political.
The subtext is darker: it smuggles physiognomy (the belief that morality is visible on the face) into a religious register. That tradition has always been tempting for institutions that need quick moral sorting, and dangerous because it turns judgment into reflex. By pairing “dimple” with “devil,” the rhyme does the persuasion - it makes the association feel inevitable, almost natural, the way superstition often does.
Contextually, it reads less like doctrine than a papal aside capturing a conservative reflex: distrust what is pleasing, interrogate what is easy. The devil here isn’t horns; it’s charisma.
Its intent is cautionary, but also managerial. A pope presiding over the turbulence of the 1960s and 70s - Vatican II’s aftershocks, the sexual revolution, mass media’s new charisma economy - would have watched appearances gain unprecedented power. The line functions as a preemptive strike against charm: the dimple, a culturally coded marker of attractiveness and approachability, becomes suspect precisely because it disarms. If holiness depends on vigilance, then seduction isn’t just erotic; it’s rhetorical, social, even political.
The subtext is darker: it smuggles physiognomy (the belief that morality is visible on the face) into a religious register. That tradition has always been tempting for institutions that need quick moral sorting, and dangerous because it turns judgment into reflex. By pairing “dimple” with “devil,” the rhyme does the persuasion - it makes the association feel inevitable, almost natural, the way superstition often does.
Contextually, it reads less like doctrine than a papal aside capturing a conservative reflex: distrust what is pleasing, interrogate what is easy. The devil here isn’t horns; it’s charisma.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Later attribution: Body Language from Head to Toe (Per-Olof Hasselgren, 2015) modern compilationISBN: 9781681812830 · ID: tYNnCgAAQBAJ
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