"A good writer is basically a story teller, not a scholar or a redeemer of mankind"
About this Quote
Singer is cutting the writer back down to human scale, and he does it with a deceptively plain sentence. “Basically” is the key tell: he’s not denying that writers can be learned, political, even moral forces. He’s refusing to make any of that the job description. In Singer’s world, the writer’s first obligation is narrative propulsion - the ancient, almost bodily need to hear what happens next. Everything else is vanity dressed up as vocation.
The subtext is a rebuke to two temptations that stalk literary culture: credentialism and messianism. The “scholar” jab isn’t anti-intellectual; it’s anti-footnote as substitute for drama. Singer, who carried Yiddish storytelling into an era of university literature departments and theory, knew how quickly craft gets quarantined by expertise. The “redeemer of mankind” line is sharper. Coming from a Jewish writer shaped by catastrophe and exile, it reads less like cynicism than like moral realism: art can witness, but it can’t save. When writers sell themselves as saviors, they tend to produce sermons, not stories.
There’s also a sly defense of pleasure here. “Story teller” suggests entertainment, gossip, folklore, the suspiciously popular stuff gatekeepers dismiss until it’s canonized. Singer stakes his claim with the people around the stove, not the committee around the seminar table. He’s insisting that the shortest path to truth is still a tale well told - not a thesis, not a manifesto, not a halo.
The subtext is a rebuke to two temptations that stalk literary culture: credentialism and messianism. The “scholar” jab isn’t anti-intellectual; it’s anti-footnote as substitute for drama. Singer, who carried Yiddish storytelling into an era of university literature departments and theory, knew how quickly craft gets quarantined by expertise. The “redeemer of mankind” line is sharper. Coming from a Jewish writer shaped by catastrophe and exile, it reads less like cynicism than like moral realism: art can witness, but it can’t save. When writers sell themselves as saviors, they tend to produce sermons, not stories.
There’s also a sly defense of pleasure here. “Story teller” suggests entertainment, gossip, folklore, the suspiciously popular stuff gatekeepers dismiss until it’s canonized. Singer stakes his claim with the people around the stove, not the committee around the seminar table. He’s insisting that the shortest path to truth is still a tale well told - not a thesis, not a manifesto, not a halo.
Quote Details
| Topic | Writing |
|---|
More Quotes by Isaac
Add to List



