"A new gadget that lasts only five minutes is worth more than an immortal work that bores everyone"
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Francis Picabia's quote, "A new gadget that lasts only five minutes deserves more than an immortal work that bores everyone", serves as an interesting commentary on the worth systems underpinning modern culture and art. At its core, the declaration challenges conventional concepts of artistic and cultural worth. Picabia juxtaposes two contrasting concepts: a transient, modern-day gadget and an ageless, yet dull, work of art. Through this contrast, he provokes a reconsideration of what we deem valuable.
The reference of a "new gizmo" resonates highly with modernism's fascination with technology and development. Gizmos symbolize progress, modification, and the appeal of the new. The fleeting life-span of these devices emphasizes the rate of innovation and the constant yearning for novelty in modern society. Despite their temporary purpose, these gadgets provide immediate complete satisfaction and engagement, stimulating excitement and interest, if only temporarily.
On the other hand, the "immortal work" probably represents canonical art or literature that has withstood the test of time. However, Picabia mentions that such works, despite their lasting presence, can stop working to engage or influence an audience. If these works end up being outdated or unimportant, their immortality is eclipsed by their inability to resonate with individuals's feelings or intellect. The expression "tires everybody" starkly highlights this prospective detach, recommending that the conventional criteria for what is esteemed or protected may not align with what truly captivates or thrills the human spirit.
Eventually, Picabia's assertion functions as a pointer that worth is inherently subjective and context-dependent. What mesmerizes the public creativity can be more prized than what withstands simply for its own sake. The quote challenges us to reassess how we evaluate and appoint worth, suggesting that impact and engagement may hold more significance than longevity or custom. In this sense, Picabia champs the invigorating power of the new, even if ephemeral, over the unchallenging enduring.
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