"A wisely chosen illustration is almost essential to fasten the truth upon the ordinary mind, and no teacher can afford to neglect this part of his preparation"
About this Quote
Truth rarely lodges in memory by abstraction alone; it needs a hook. An illustration provides that hook by giving ideas a body, a texture, a scene. A wisely chosen example, story, or image does not dilute truth but fastens it to experience, where the mind can grasp and recall it. The phrase ordinary mind is not an insult; it admits that most people learn amid distractions, with limited time for theory, and with imaginations shaped by the concrete. Teaching that reaches them translates principle into picture.
Wisely chosen is the hinge. Not any anecdote will do. The image must be faithful to the point, simple without being simplistic, vivid without hijacking attention, and culturally intelligible to the audience. A poor illustration misleads by analogy, promising more than the idea can bear or introducing exceptions that confuse the learner. A good one clarifies the logic, reduces cognitive load, and creates a memory path back to the principle.
No teacher can afford to neglect this part of preparation because illustrations cannot be improvised reliably. They require the same rigor as definitions and arguments: selecting apt comparisons, anticipating misreadings, and pruning anything that competes with the central truth. Preachers have long known this through parables; classical rhetoricians treated examples as proof; modern cognitive science confirms it with the concreteness effect and dual coding, showing that words paired with images, real or imagined, stick.
Howard Crosby spoke from the world of pulpit and classroom in the 19th century, when sermons and lectures shaped public understanding. His point endures across media. Whether one teaches ethics, mathematics, or history, the work is to move truth from the abstract to the graspable, from premise to picture to practice. Illustration is not ornament. It is the bridge by which understanding crosses and stays.
Wisely chosen is the hinge. Not any anecdote will do. The image must be faithful to the point, simple without being simplistic, vivid without hijacking attention, and culturally intelligible to the audience. A poor illustration misleads by analogy, promising more than the idea can bear or introducing exceptions that confuse the learner. A good one clarifies the logic, reduces cognitive load, and creates a memory path back to the principle.
No teacher can afford to neglect this part of preparation because illustrations cannot be improvised reliably. They require the same rigor as definitions and arguments: selecting apt comparisons, anticipating misreadings, and pruning anything that competes with the central truth. Preachers have long known this through parables; classical rhetoricians treated examples as proof; modern cognitive science confirms it with the concreteness effect and dual coding, showing that words paired with images, real or imagined, stick.
Howard Crosby spoke from the world of pulpit and classroom in the 19th century, when sermons and lectures shaped public understanding. His point endures across media. Whether one teaches ethics, mathematics, or history, the work is to move truth from the abstract to the graspable, from premise to picture to practice. Illustration is not ornament. It is the bridge by which understanding crosses and stays.
Quote Details
| Topic | Teaching |
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