"The educator must believe in the potential power of his pupil, and he must employ all his art in seeking to bring his pupil to experience this power"
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Adler’s line is a quiet rebuke to every model of schooling built on sorting, labeling, and “objective” ceilings. He isn’t asking teachers to be optimistic; he’s demanding a kind of professional faith: the educator must treat potential as real before it becomes visible. That’s the psychological twist. Belief isn’t a mood here, it’s an intervention. In Adler’s world, people grow into the identities that their surroundings make plausible. If a pupil never “experiences this power,” it’s not just a missed lesson; it’s a missed self.
The phrase “employ all his art” matters because Adler doesn’t pretend education is a clean engineering problem with standardized inputs and outputs. “Art” signals judgment, improvisation, attention to the person in front of you. It also smuggles in accountability: if teaching is an art, you can’t hide behind the syllabus when a student disengages. You have to try other brushes.
The subtext is also political, in the small-p sense. Adler, working in the early 20th century amid mass schooling and rigid social hierarchies, is pushing against fatalism: the idea that aptitude is fixed, that some children are destined for obedience and others for leadership. “Potential power” suggests agency, not just talent. The educator’s job is to stage experiences of competence - moments where a student feels causality in their own hands. That’s how confidence gets built: not through praise, but through proof.
The phrase “employ all his art” matters because Adler doesn’t pretend education is a clean engineering problem with standardized inputs and outputs. “Art” signals judgment, improvisation, attention to the person in front of you. It also smuggles in accountability: if teaching is an art, you can’t hide behind the syllabus when a student disengages. You have to try other brushes.
The subtext is also political, in the small-p sense. Adler, working in the early 20th century amid mass schooling and rigid social hierarchies, is pushing against fatalism: the idea that aptitude is fixed, that some children are destined for obedience and others for leadership. “Potential power” suggests agency, not just talent. The educator’s job is to stage experiences of competence - moments where a student feels causality in their own hands. That’s how confidence gets built: not through praise, but through proof.
Quote Details
| Topic | Teaching |
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